| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Birnie-Smith, Jess; Robertson, Wesley C. |
Superdiversity and translocal brutality in Asian extreme metal lyrics |
2021 |
Language & Communication |
81 |
48-63 |
|
|
|
Coulombe, Alexander Paul |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
2018 |
|
|
110 |
|
|
|
Kawano, Kei; Hosokawa, Shuhei |
Thunder in the Far East: the heavy metal industry in 1990s japan |
2011 |
Metal rules the globe: heavy metal music around the world |
|
247-270 |
|
|
|
Overell, Rosemary |
Brutal Masculinity in Osaka’s Extreme-metal Scene |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
245-257 |
|
|
|
Overell, Rosemary |
Brutal belonging in other spaces: grindcore touring in Melbourne and Osaka |
2015 |
Youth cultures and subcultures: Australian perspectives |
|
|
|
|
|
Overell, Rosemary |
Affective intensities in extreme music scenes: cases from Australia and Japan |
2014 |
|
|
|
|
|
|
Robertson, Wes |
Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene |
2022 |
Parergon |
39 |
79-104 |
|
|
|
Saito, Kei |
Heavy Metal Scene in Osaka: Localness Now and Then |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
