| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Ebert, Kevin |
Deep Purple’s Black Knight: The Virtuoso Identity of Ritchie Blackmore in defining the riff-driven heavy metal of “In Rock” |
2026 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
33-55 |
|
|
|
Fellezs, Kevin |
Taking the Lead: Ritchie Blackmore and Tommy Bolin (re)shape Heavy rock virtuosity |
2026 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
133-155 |
|
|
|
Herbst, Jan-Peter |
Martin Birch – Catalyst: The Pivotal Role of Deep Purple’s Sound Engineer on the Classic Mk2 Albums. |
2026 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
209-231 |
|
|
|
Lilja, Esa |
The Tonal Language of Deep Purple Mk2: Riffs, Modes, Chords, and Progressions |
2026 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
159-188 |
|
|
|
Poole, Simon |
“Speed King”: Setting the Paice |
2026 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
77-97 |
|
|
|
Stevens, Francesca |
Ian Gillan and the Legacy of the Operatic Voice in Heavy metal: Borrowed Feminine Classical Virtuosity in Metal Masculinity |
2026 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
98-119 |
|
|
|
Waksman, Steve |
Heavy metal on Stage: Deep Purple’s “Made in Japan” and the Production of Arena Rock |
2026 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
235-253 |
|
