|
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Barski, Kamil Sławomir |
Black metal jako kontynuacja romantyzmu? O figurze artysty i stosunku do natury jako korzeniach gatunku [Black metal as a continuation of romanticism? About the figure of the artist and the attitude to nature as the roots of the genre] |
2023 |
Świat i Słowo [World and Word] |
41 |
325-345 |
|
|
Bartosch, Roman (ed) |
Heavy Metal Studies: Lyrics und Intertextualität |
2011 |
|
|
|
|
|
Coggins, Owen |
Ecology, Estrangement and Enchantment in Black Metal's Dark Haven |
2021 |
Green Letters. Studies in Ecocriticism |
t.b.c. |
|
|
|
Helden, Imke van |
”The forest is my throne”. Zur Darstellung und Funktion von Natur in den Lyrics norwegischer Metal-Bands |
2011 |
Heavy Metal Studies: Lyrics und Intertextualität |
|
114-123 |
|
|
Helden, Imke von |
Norwegian native art: cultural identity in Norwegian metal music |
2017 |
|
|
|
|
|
Hemery, David |
Black Metal and the Sonic Search for Nature |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
456-468 |
|
|
Paganus, Arilson |
Quando o Diabo veste verde: o vegetarianismo e a natureza ecoando no underground |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
38-74 |
|