| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Åshede, Linnea; Foka, Anna |
Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
97-114 |
|
|
|
Avelar, Idelber |
Otherwise national: locality and power in the art of Sepultura |
2011 |
Metal rules the globe: heavy metal music around the world |
|
135-160 |
|
|
|
Barajas, Jhon Edison |
Historia del power metal colombiano: un documental para la creación de un panorama histórico e identitario del power metal |
2021 |
|
|
|
|
|
|
dos Santos Silva, Melina Aparecida; Medeiros, Beatriz |
“This gave me a Mastodong”: A decolonial analysis of the Black twerking dancers in Mastodon’s The Motherload music video |
|
European Journal of Cultural Studies |
OnlineFirst |
|
|
|
|
Elflein, Dietmar |
Die virtuose Kontrolle der (Ohn-)Macht –Gedanken zur musikalischen Ästhetik des Heavy Metal |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
169-181 |
|
|
|
Gamble, Steven |
How Music Empowers: Listening to Modern Rap and Metal |
2021 |
|
|
|
|
|
|
Gascot-Hernández, Bayram J. |
Power In Heavy Metal: A Positive Evaluation |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
95-102 |
|
|
|
Glasper, Ian |
Terrorized: The Collected Interviews, Volume Two |
|
|
|
|
|
|
|
Herbst, Jan-Peter |
The formation of the West German power metal scene and the question of a ‘Teutonic’ sound |
2019 |
Metal Music Studies |
5 |
201-223 |
|
|
|
Hill, Rosemary Lucy |
‘Power has a penis’: Cost reduction, social exchange and sexism in metal – reviewing the work of Sonia Vasan |
2016 |
Metal Music Studies |
2 |
263-271 |
|
