|
|
Abbey, E. J., & Helb, C. (Eds.). (2014). Hardcore, punk, and other junk: aggressive sounds in contemporary music. Lanham: Lexington Books.
|
|
|
|
Aguilar Miranda, J. N. (2023). Identidad y estética punk en Cochabamba. Perspectivas y Resistencias Musicales, 1(1), 169–198.
|
|
|
|
Aguilar Mirandas, J. N. (2024). La presencia de las chicas en la escena hardcore punk cochabambino. In M. Saavedra, & R. Tapia (Eds.), La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano (pp. 209–226). Special Issue of Perspectivas y Resistencias Musicales 2 (2).
|
|
|
|
Berger, G. (2009). The Story of Crass. (320). Binghamton, New York: PM Press.
Abstract: << Crass was the anarcho-punk face of a revolutionary movement founded by radical thinkers and artists Penny Rimbaud, Gee Vaucher, and Steve Ignorant. When punk ruled the waves, Crass waived the rules and took it further, putting out their own records, films, and magazines and setting up a series of situationist pranks that were dutifully covered by the world’s press. Not just another iconoclastic band, Crass was a musical, social, and political phenomenon.
Commune dwellers who were rarely photographed and remained contemptuous of conventional pop stardom; their members explored and finally exhausted the possibilities of punk-led anarchy. They have at last collaborated on telling the whole Crass story, giving access to many never-before-seen photos and interviews. >>
(SOURCE: https://pmpress.org/index.php?l=product_detail&p=101)
|
|
|
|
Cundle, T. (2022). Mass Movement: The Digital Years, Vol. Two. East Sussex, UK: Earth Island Books.
Abstract: << Mass Movement: The Digital Years, Volume 2 is the second half of a beautiful and comprehensive two book collection. A compilation of the best interviews and features from the second half of Mass Movement’s digital period.
Some of you have probably seen a lot of it before, but we're willing to bet that for the majority of you, this is the first time that you’ve seen most, if not all, of this content. And you know what? It’s good. It’s really good and whilst Tim is happy, well as happy as a miserable old bugger like he can be, that this content is finally available again, what he's genuinely thrilled about is that it shows how varied Mass Movement Magazine was.
This collection includes interviews [and] captures the spirit and essence of everything Mass Movement was, is and always will be. This hefty book ships with additional goodies and will give you plenty to read, either from cover to cover or dipping in and out. Published worldwide 26th March 2021 and can be ordered locally within your own country on amazon or from your local book store. >>
(Source: https://www.earthislandbooks.com)
Keywords: Crust punk, Hardcore punk, Melodic hardcore, Metalcore, Thrash metal, Thrashcore, UK82, Acid Reign, Agnostic Front, Bad Religion, Burn, English Dogs, Kill Your Idols, Lagwagon, Shai Hulud, Snuff, Voorhees, Youth Of Today, Metal Blade, Revelation Records
|
|
|
|
de Alcântara, M. O. (2022). Mídia, violência e subjetivação: uma abordagem discursiva das representações do punk no Correio Braziliense. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 267–297). São Paulo: Pimenta Cultural.
|
|
|
|
Dinali, W. (2021). (ENTRE) Educações: crust punk, arte de viver e e e... In R. Barchi (Ed.), Diálogos com a música extrema (pp. 264–284). Porto Alegre: editorafi.org.
|
|
|
|
Dinali, W. (2022). Uma aliança: a morte... ...uma bricolagem morte/vida/vida/morte e e e. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 381–393). São Paulo: Pimenta Cultural.
|
|
|
|
Glasper, I. (2014). The Day the Country Died: A History of Anarcho Punk 1980–1984. Binghamton, New York: PM Press.
Abstract: << In this revealing history, author, historian, and musician Ian Glasper explores in minute detail the influential and esoteric UK anarcho-punk scene of the early 1980s. Where some of the colorful punk bands from the first half of the decade were loud, political, and uncompromising, their anarcho-punk counterparts were even more so, totally prepared to risk their liberty to communicate the ideals they believed in so passionately. With Crass and Poison Girls opening the floodgates, the arrival of bands such as Amebix, Chumbawamba, Flux of Pink Indians, and Zounds heralded a new age of honesty and integrity in underground music. New, exclusive interviews and hundreds of previously unreleased photographs document the impact of all of the scene’s biggest names—and a fair few of the smaller ones—highlighting how anarcho-punk took the rebellion inherent in punk from the very beginning to a whole new level of personal awareness. >>
(SOURCE: https://www.amazon.com/dp/1604865164)
|
|
|
|
Glasper, I. (2023). Silence Is No Reaction: Fort Years of Subhumans. East Sussex, UK: Earth Island Books.
Abstract: << [This is the] definitive history of one of the best punk bands of all time. It's been a long time in the making but with over 640 packed pages it's well worth it and you can order this great book now!
Formed in Wiltshire, England, in 1980, the Subhumans are rightly held in high regard as one of the best punk rock bands to ever hail from the UK. Over the course of five timeless studio albums and just as many classic EPs, not to mention well over 1000 gigs around the world, they have blended serious anarcho punk with a demented sense of humour and genuinely memorable tunes to create something quite unique and utterly compelling.
For the first time ever, here’s their whole story, straight from the recollections of every band member past and present, and a dizzying array of their closest friends and peers, with not a single stone left unturned. Bolstered with hundreds of flyers and exclusive photos, the complete discography, a full gigography, and more, this book is the definitive account of a much-loved band.
Ian Glasper is the critically acclaimed author of several best-selling books on the underground UK punk scene, not least of all Burning Britain: The History of UK Punk 1980-1984 and The Day the Country Died: A History of Anarcho Punk 1980-1984. But this is the first book he’s ever written about just one band. And there isn’t another band he would rather have written about more. >>
|
|
