| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Avelar, Idelber |
Heavy Metal Music in Postdictatorial Brazil: Sepultura and the Coding of Nationality in Sound |
2003 |
Journal of Latin American Cultural Studies |
12 |
329-346 |
|
|
|
Batista, Marcelo R. |
United Forces: An Archive of Brazil's Raw Metal Attack, 1986-1991 |
2023 |
|
|
528 |
|
|
|
Cavalera, Max; McIver, Joel |
Bloody roots: l’autobiografia dai Sepultura ai Soulfly e oltre |
2015 |
|
|
|
|
|
|
Cavalera, Max; McIver, Joel |
Roots, Karma, Chaos – Mein Leben mit Sepultura und Soulfly Die offizielle Autobiographie von Max Cavalera |
2015 |
|
|
|
|
|
|
Cavalera, Max; McIver, Joel |
Od Sepultury k Soulfly: my bloody roots : autobiografie |
2014 |
|
|
|
|
|
|
Cavalera, Max; McIver, Joel |
My bloody roots: de Sepultura ? Soulfly et au-delà |
2014 |
|
|
|
|
|
|
Cavalera, Max; McIver, Joel |
My bloody roots: from Sepultura to Soulfly and beyond : the autobiography |
2014 |
|
|
|
|
|
|
Cavalera, Max; McIver, Joel |
Moje krwawe korzenie: autobiografia |
2013 |
|
|
|
|
|
|
Luna, Glauber Barreto |
“Manifest”: a música como contestação ao Massacre do Carandirú |
2017 |
Iberoamérica Social: Revista-red de estudios sociales |
5 |
99-114 |
|
|
|
Reis Alecrim, Thales |
The Day of Doom Has Come: A representação do mal, a indústria cultural e a cultura da participação na produção do Sepultura (1984-1987) |
2021 |
|
|
|
|
