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Burns, L. (2023). Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995). In W. Moylan, L. Burns, & M. Alleyne (Eds.), Analyzing Recorded Music: Collected Perspectives (323–338). Routledge.
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Penwell, B. J.. (2025). “NO CLEAN SINGING” – The Exclusive or Predominant Use of Harsh Vocals as the Primary Unifying Musical Characteristic of Extreme Metal Genres. Ph.D. thesis, Northwestern University, Evanston.
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Stricker, J. A. (2018). Ascending the Improbable Heights: An Examination of High-Pitched Male Heroism in Opera and Heavy Metal. Master's thesis, University of Miami, Coral Gables.
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Tański, P. (2023). Bruce Dickinson sings the song “Senjutsu”. Annales Universitatis Paedagogicae Cracoviensis. Studia De Cultura, 15(4), 19–30.
Abstract: “This article is an attempt to interpret the Iron Maiden song “Senjutsu,” which is one of the most important on the album of the same title (2021). The thesis of the study is that in this work, the textual and musical persona – the performative subject of this text – tries to relate an extreme, borderline, liminal experience resulting from assuming the status of a war defender, forced to fight the invader. It can be said, paraphrasing the title of the classic book by Barbara Major (2013), that Dickinson sings the symbolic habitus of Athena in a Leather Jacket – Explosion of Metal Music Fury Affect. This metaphor for the fury of the Greek goddess of war is present in the work of Iron Maiden. The hypothesis to be verified is the degree of presence of this issue in the output of the English team; the research problem is, how was the subject of war dealt with in the texts of Steve Harris’s works?”
(SOURCE: https://studiadecultura.uken.krakow.pl/article/view/10914)
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Visca, C. (2015). La prise en charge du chanteur de métal et ses spécificités. Ph.D. thesis, Université de Lorraine., Nancy.
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