| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Bayer, Gerd (ed) |
Heavy metal at the movies |
2019 |
|
|
|
|
|
|
Grajdian, Maria |
Liquid Identity: Love, Heavy Metal and the Dynamics of Gender in Anime Soundtracks |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
209-226 |
|
|
|
Heesch, Florian |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
2018 |
Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
11 |
1-18 |
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
2022 |
Popular Music and Society |
t.b.c. |
t.b.c. |
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
Toward a Systematic Understanding of “Heaviness” in Metal Music Production |
2022 |
Rock Music Studies |
t.b.c. |
|
|
|
|
Tompkins, Joseph |
What’s the Deal with Soundtrack Albums? Metal Music and the Customized Aesthetics of Contemporary Horror |
2009 |
Cinema Journal; Lawrence |
49 |
65-81 |
|
