| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Dekovich, Michael |
Compound Bridge Sections in Rock and Metal |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
84-108 |
|
|
|
Morawitz, Owen |
Conceived Through an Act of Catharsis: The Phenomenological Allure of the Breakdown |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
124-135 |
|
|
|
Muniz, John |
More than Moshing: Structure, Convention, and Innovation in Extreme Metal Breakdowns |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
136-151 |
|
|
|
Simonds, Zach |
Unfulfilled Expectations: Theorizing on Terminally Anti-Climactic Form |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
109-123 |
|
|
|
Stolz, Nolan |
Mutually Exclusive Two- and Three-Part Forms in Heavy Metal Songs |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
69-83 |
|
|
|
Strauss, Suzanne |
Song of the Siren, Cry of the Warrior: An Exploration of Song Structures and Female Vocal Techniques in Power Metal |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
327-340 |
|
