| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Anders, Melanie |
Intertextualität in Heavy Metal Songtexten |
2014 |
|
|
|
|
|
|
Bardine, Bryan A. |
Metal and Gothic Literature: Examining the Darker Side of Life (and Death) |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
572-581 |
|
|
|
Bartosch, Roman |
Subversiv/Plakativ: (Inter-)Textuelle Dimensionen des Heavy Metal |
2011 |
Heavy Metal Studies: Lyrics und Intertextualität |
|
5-10 |
|
|
|
Bartosch, Roman (ed) |
Heavy Metal Studies: Lyrics und Intertextualität |
2011 |
|
|
|
|
|
|
Becker, Markus |
Der Tod und die Gesellschaft: Texte in der Hardrock- und Heavy-Metal-Musik |
2014 |
|
|
|
|
|
|
Bielmann, David |
Sympathie für den Teufel: Deutsche Literatur als Vorlage für Heavy Metal-Lyrics |
2011 |
Heavy Metal Studies: Lyrics und Intertextualität |
|
141-153 |
|
|
|
Buts, Jeroen |
The Thematical and Stylistic Evolution of Heavy Metal Lyrics and Imagery |
2010 |
|
|
|
|
|
|
Calvo, Manuela Belén |
”Nightfall in Middle Earth”: un disco de Blind Guardian inspirado en “El Silmarillion” de J. R. R. Tolkien |
2011 |
DigiLenguas |
3 |
|
|
|
|
Cheung, Oi Wun Joyce |
Heavy metal music lyrics: identity construction and social struggle |
2016 |
|
|
|
|
|
|
Clendinning, Elizabeth A.; McAuley, Kathleen |
The call of Cthulhu: narrativity of the cult in metal |
2010 |
The metal void: first gatherings |
|
245-256 |
|
