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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Ables, Mollie |
Wild Side: Self-Styling and the Aesthetics of Metal in the Music Videos of Mötley Crüe |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
99-108 |
|
|
|
Altrogge, Michael; Amann, Rolf |
Videoclips – die geheimen Verführer der Jugend? Ein Gutachten zur Struktur, Nutzung und Bewertung von Heavy-Metal-Videoclips |
1991 |
|
|
|
|
|
|
Burns, Lori |
Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity’s ‘Uniformity,’ Directed by Patric Ullaeus |
2019 |
The Bloomsbury Handbook to Popular Music Video Analysis |
|
183-200 |
|
|
|
Czerniak, Martin |
Black metal: zur Darstellung von People-of-Color im Musikvideo des Metal |
2017 |
|
|
|
|
|
|
dos Santos Silva, Melina Aparecida; Medeiros, Beatriz |
“This gave me a Mastodong”: A decolonial analysis of the Black twerking dancers in Mastodon’s The Motherload music video |
|
European Journal of Cultural Studies |
OnlineFirst |
|
|
|
|
Eggeling, Jörg |
Funktionen und Wirkungen okkulter Heavy-Metal-Videoclips bei Schülerinnen und Schülern |
2006 |
|
|
|
|
|
|
Guay, Louis-Martin; Arsenault, Dominic |
Thumb-Bangers: Exploring the Cultural Bond between Video Games and Heavy Metal |
2012 |
Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture |
|
103-115 |
|
|
|
Hofstadler, Manuel |
Das Musikvideo als identitätsstiftendes Medium: am Beispiel des musikalischen Genres Heavy Metal |
2007 |
|
|
|
|
|
|
Holzbach, Ariane Diniz; Santos, Melina; Evangelista, Simone; Oliveira, Thaiane |
Heavy Metal X Funk: disputas de gênero na cultura pop a partir do canal Mamilos Molengas |
2015 |
Cultura pop |
|
131-150 |
|
|
|
Kriese, Laura |
Rollenmodelle im Heavy Metal. Zu den Musikvideos von ”Machine Head” und ”In This Moment” |
2016 |
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