| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Arp, Robert |
Stop Stereotyping Sabbath: Sex, Subjugation, and Stupidity |
2012 |
Black Sabbath and Philosophy: Mastering Reality |
|
182-189 |
|
|
|
Basu, Sudev Pratim |
”Mouth” For War”: Pro-war Leanings in American Heavy Metal Music |
2011 |
The Visva-Bharati Quarterly: New Series |
20 |
100-114 |
|
|
|
Bénard, Nicolas |
Les images de guerre dans la musique metal. Entre fascination et dénonciation |
2012 |
Societes |
117 |
113-128 |
|
|
|
Chaker, Sarah |
”This means war”. Krieg – Zentrales Inhaltsmonument in Black und Death Metal |
2006 |
Von Schlachthymnen und Protestsongs: zur Kulturgeschichte des Verhältnisses von Musik und Krieg |
|
229-240 |
|
|
|
Elflein, Dietmar |
Show No Mercy Oder: All We Are – All We Are We Are – We Are All – All We Need |
2008 |
Journal der Jugendkulturen |
13 |
55-66 |
|
|
|
Frandsen, Daniel |
Fuck euphemisms: how heavy metal lyrics speak the truth about war |
2010 |
The metal void: first gatherings |
|
233-244 |
|
|
|
Glasper, Ian |
Terrorized: The Collected Interviews, Volume Two |
|
|
|
|
|
|
|
Heesch, Florian |
Thor im Metal und im Fantasy-Roman: Zur Asgard-Saga von Manowar und Wolfgang Hohlbein |
2011 |
Heavy Metal Studies: Lyrics und Intertextualität |
|
64-88 |
|
|
|
Held, Jacob M. |
“As the War Machine Keeps Turning”: Just War Theory, Pacifism, and the War on Terror |
2012 |
Black Sabbath and Philosophy: Mastering Reality |
|
171-181 |
|
|
|
Herrera Díaz, Francisco Augusto |
Metal colombiano: los sonidos de un país en guerra |
2017 |
|
|
|
|
