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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
|
”Marche ou Crève”: The Band Trust and the Singular Case of the Birth of French Heavy Metal |
2018 |
Made in France: studies in popular music |
|
89-104 |
|
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|
|
ミュージック・ライフが見たLAメタル. [L.A. Meta in Music Life] |
2012 |
|
|
|
|
|
|
|
Apocalyptic unbound: An interpretation of Christian Speed/Thrash Metal Music |
2004 |
Religious Innovation in a Global Age: Essays on the Construction of Spirituality |
|
117-137 |
|
|
|
|
Rockdetector: A-Z of thrash metal |
2002 |
|
|
|
|
|
|
|
Commodifying Extremity: Extreme Metal and the Global Music Industry |
2026 |
Stony Brook Undergraduate History Journal |
11 |
|
|
|
|
Abad, Luis Ángel; Álvarez Lluch, Carlos Manuel |
Metal XXI & Beyond |
2000 |
|
|
|
|
|
|
Abarza Baumann, Marcos |
Historia & concepto del black metal |
2011 |
|
|
|
|
|
|
Abbey, Eric James; Helb, Colin (eds) |
Hardcore, punk, and other junk: aggressive sounds in contemporary music |
2014 |
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|
Abbott, Amory |
Old-Growth Gothic : Dark Romanticism and the Aesthetics of Cascadian Black Metal – an Artist’s Perspective |
2026 |
Meta/Metal Open Questions in Metal Studies |
|
170-191 |
|
|
|
Abbott, Helen; Ardrey, Caroline |
”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music |
2018 |
Esprit Créateur; Baltimore |
58 |
130-143 |
|
