|
|
(2002). Rockdetector: A-Z of thrash metal. London: Cherry Red.
|
|
|
|
(2004). Apocalyptic unbound: An interpretation of Christian Speed/Thrash Metal Music. In G. N. Lundskow, & C. M. Brown (Eds.), Religious Innovation in a Global Age: Essays on the Construction of Spirituality (pp. 117–137). Jefferson: McFarland.
|
|
|
|
(2012). ミュージック・ライフが見たLAメタル. [L.A. Meta in Music Life]. 東京: シンコーミュージック・エンタテイメント.
|
|
|
|
(2018). ”Marche ou Crève”: The Band Trust and the Singular Case of the Birth of French Heavy Metal. In G. Guibert, & C. Rudent (Eds.), Made in France: studies in popular music (pp. 89–104). New York & Oxford: Routledge.
|
|
|
|
(2026). Commodifying Extremity: Extreme Metal and the Global Music Industry. Stony Brook Undergraduate History Journal, 11.
|
|
|
|
Abad, L. Á., & Álvarez Lluch, C. M. (2000). Metal XXI & Beyond. València: Avantpress.
|
|
|
|
Abarza Baumann, M. (2011). Historia & concepto del black metal. Llinars del Vallès: Quarentena.
|
|
|
|
Abbey, E. J., & Helb, C. (Eds.). (2014). Hardcore, punk, and other junk: aggressive sounds in contemporary music. Lanham: Lexington Books.
|
|
|
|
Abbott, A. (2026). Old-Growth Gothic : Dark Romanticism and the Aesthetics of Cascadian Black Metal – an Artist’s Perspective. In P. Pichler, A. - K. Höpflinger, J. Scheller, L. Dawes, & C. Béra (Eds.), Meta/Metal Open Questions in Metal Studies (pp. 170–191). Stuttgart: Kohlhammer.
|
|
|
|
Abbott, H., & Ardrey, C. (2018). ”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music. Esprit Créateur; Baltimore, 58(1), 130–143.
|
|
