|
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Allett, Nicola |
The extreme metal ‘connoisseur’ |
2013 |
Heavy metal: controversies and countercultures |
|
166-181 |
|
|
Barron, Lee |
Dworkin’s nightmare: Porngrind as the sound of feminist fears |
2013 |
Heavy metal: controversies and countercultures |
|
66-82 |
|
|
Brown, Andy R., Titus |
Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not |
2013 |
Heavy metal: controversies and countercultures |
|
17-35 |
|
|
Fellezs, Kevin |
Black metal soul music: Stone Vengeance and the aesthetics of race in heavy metal |
2013 |
Heavy metal: controversies and countercultures |
|
182-200 |
|
|
Guibert, Gérôme |
Hellfest: The thing that should not be? Local perceptions and Catholic discourses on metal culture in France |
2013 |
Heavy metal: controversies and countercultures |
|
98-116 |
|
|
Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark |
Introduction: Heavy metal as controversy and counterculture |
2013 |
Heavy metal: controversies and countercultures |
|
1-16 |
|
|
Klypchak, Brad |
‘How you gonna see me now’: Recontextualizing metal artists and moral panics |
2013 |
Heavy metal: controversies and countercultures |
|
36-49 |
|
|
Laurin, Hélène |
Triumph of the maggots? Valorization of metal in the rock press |
2013 |
Heavy metal: controversies and countercultures |
|
50-65 |
|
|
Moberg, Marcus |
The ‘double controversy’ of Christian metal |
2013 |
Heavy metal: controversies and countercultures |
|
83-97 |
|
|
Olson, Benjamin Hedge |
Voice of our blood National Socialist discourses in black metal |
2013 |
Heavy metal: controversies and countercultures |
|
136-151 |
|