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Ahlkvist, J. A. (1999). Music and cultural analysis in the classroom: Introducing sociology through heavy metal. Teaching Sociology; Beverly Hills, 27(2), 126.
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Allué Montilla, I. (2017). Mujeres, rock & heavy metal: ?quién dijo sexo débil? Lleida: Editorial Milenio.
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Ambrose, J. (2001). Moshpit : the violent world of mosh pit culture. London: Omnibus.
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Andrada, L. (2013). ”We who are not as others”: Análise das noções de violência no mosh a partir do heavy metal. Ph.D. thesis, Universidade Federal de Minas Gerais, Belo Horizonte.
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Annegg, F. (2018). You can’t say it’s a style. It’s who you are.“ The Significance of Merchandise in the Metal Music Scene. Ph.D. thesis, Universität Wien, Vienna.
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Aquino Ruiz, F. (2015). Radicalizing the Resistance: The Representation of Political Identities in the Heavy Metal Community of Puerto Rico Via the Production of Radio Shows. In Modern Heavy Metal: Markets, Practices and Cultures (pp. 88–94). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Araste, L. (2010). Communication function in the Estonian metal subculture. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 103–109). Oxford: Inter-Disciplinary Press.
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Arnett, J. (1991). Adolescents and Heavy Metal Music: From the Mouths of Metalheads. Youth and Society, 23(1), 76.
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Arnett, J. (1991). Heavy Metal Music and Reckless Behavior Among Adolescents. Journal of Youth and Adolescence; New York, 20(6), 573–592.
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Arnett, J. (1993). Three profiles of heavy metal fans: A taste for sensation and a subculture of alienation. Qualitative Sociology, 16(4), 423–443.
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