Author  |
Title |
Year |
Publication |
Volume |
Pages |
|
Metal Bible |
2016 |
|
|
|
| Ables, Mollie |
Wild Side: Self-Styling and the Aesthetics of Metal in the Music Videos of Mötley Crüe |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
99-108 |
| Anttonen, Salli |
‘Hypocritical bullshit performed through gritted teeth’: Authenticity discourses in Nickelback’s album reviews in Finnish media |
2016 |
Metal Music Studies |
2 |
39-56 |
| Arboleda, Juan Camilo |
Narrar o mal para compreender a tragédia na Colômbia: a banda Masacre e a violência |
2016 |
Líbero |
19 |
81-92 |
| Ayoub, Munir Lufte |
O rock progressivo: uma releitura dos mitos nórdicos |
2016 |
Notícias Asgardianas. Boletim do Núcleo de Estudos Vikings e Escandinavos |
11 |
106-116 |
| Baker, Charley; Brown, Brian |
Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: A Cultural and Literary Analysis |
2016 |
Journal of Medical Humanities |
37 |
1-17 |
| Banchs, Edward |
Swahili-tongued devils: Kenya’s heavy metal at the crossroads of identity |
2016 |
Metal Music Studies |
2 |
311-324 |
| Bardine, Bryan; Clinton, Esther |
Metal and Cultural Impact |
2016 |
Metal Music Studies |
2 |
259-262 |
| Barratt, Claire |
Death Symbolism in Metal Jewellery: Circuits of Consumption from Subculture to the High Street |
2016 |
Global metal music and culture: current directions in metal studies |
|
227-244 |
| Basso, Cristiano |
Dictionnaire de musique metal |
2016 |
|
|
|
