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Arenillas Meléndez, S. (2021). Negociaciones de la masculinidad en el heavy español de los ochenta. Feminismo/s, 38, 261–279.
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Dawes, L. (2022). “Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal. Ph.D. thesis, Columbia University, New York.
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Hoad, C. (2023). Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness”. Rock Music Studies, t.b.c..
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Herbst, J. - P. (Ed.). (2023). The Cambridge Companion to Metal Music. Cambridge Companions to Music. Cambridge, England: Cambridge University Press.
Abstract: “Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre” (source: Amazon.com).
“Since its beginnings more than fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but increasingly as a recognised field of study. This Cambridge Companion reflects the maturing field of 'metal music studies' by introducing the music and its cultures, as well as recent research perspectives from disciplines ranging from musicology and music technology to religious studies, Classics, and Scandinavian and African studies. Topics covered include technology and practice, identity and culture, modern metal genres, and global metal, with reference to performers including Black Sabbath, Metallica and Amon Amarth. Designed for students and their teachers, contributions explore the various musical styles and cultures of metal, providing an informative introduction for those new to the field and an up-to-date resource for readers familiar with the academic metal literature” (source: https://www.cambridge.org/).
Collection: The Cambridge Companions to Music.
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Landes, N. “That’s Not Heavy Metal”: Egalitarianism, Elitism, and Winning Arguments in Three Metal Music Studies Canons. Ph.D. thesis, Indiana University, Ann Arbor.
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