| |
Records |
Links |
|
Author |
Kotila, Sanna |
|
| |
Title |
Frost, Blood and a Thousand Lakes: Representing Finnishness in Metal Lyrics |
Type |
Book Whole |
| |
Year |
2012 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
black metal, discourse, Finland, representation, articulation, national identity, the narrative of the nation, metal lyrics |
|
| |
Abstract |
<< Tutkielmassani selvitän, millaisena suomalaisuus artikuloituu viime vuosien kansainväliselle yleisölle suunnatussa, englanninkielisessä metallilyriikassa. Tutkielmani pohjaa teoreettisesti ajatukselle, että kansallista kulttuuria ja identiteettiä rakennetaan ja tuotetaan diskursiivisesti. Benedict Anderson luonnehtii valtiota kielen avulla kuviteltuna ja määriteltynä yhteisönä. Kansallinen diskurssi tuottaa yhteisöllisyyttä, se määrittelee ”meidät” erityislaatuisina. Kansallisvaltio on käsitteenä historiallisesti suhteellisen uusi, ja jokainen kansakunta on kulttuurisesti hybridi. Silti diskurssin avulla kansakunnasta luodaan representaatio, joka esittää sen olleen olemassa jo määrittelemättömän kauan, ja joka esittää sen olevan kulttuurisesti homogeeninen.
Stuart Hallin teorioima ”kansallinen narratiivi” on metafora, joka asettaa kaikki tiettyä kansallisuutta kuvaavat esitykset yhteyteen. Niistä syntyy kansallinen kertomus, jossa painottuvat usein toistetut kansallisuutta kuvaavat elementit, viitteet ja symboliikka. Mitä enemmän jotain kuvausta toistetaan, sitä itsestään selvempänä se alkaa näyttäytyä, ja sitä vaikeampi se on haastaa, vaikka se ei vastaisikaan totuutta. Tässä piilee diskursiivisuuden voima. Kansalliseen keskusteluun osallistuvat saattavat toistaa vallalla olevia käsityksiä jopa tiedostamattaan.
Tutkimusaineistossani suomalaisuuden elementit; symbolit ja erilaiset viittaukset artikuloituvat metallilyriikan aineksiksi. Kontekstualisointi on keskeisin tekniikkani analysoidessani lyriikoita, tästä syystä myös Deena Weinsteinin teoria metallidiskurssista on oleellinen osa teoriapohjaani. Jotkin viittaukset paljastavat monitahoisen merkityksensä vain, kun ne luetaan asetettuna metallidiskurssin ja kansallisen diskurssin leikkauskenttään. Aineistokseni olen valinnut seitsemän laulun lyriikat, joista jokainen lähestyy suomalaisuutta hieman eri näkökulmasta ja eri painotuksin. Jokainen laululyriikoista muodostaa omanlaisensa kuvan suomalaisuudesta.
Pohdin tutkielmassani lyriikoiden ”kertojien” positioitumista suhteessa suomalaisuuteen. Lyriikoiden suomalaisuus artikuloituu suhteessa toisiin kansallisuuksiin, mutta myös suhteessa valtion sisäiseen dynamiikkaan. Tärkeitä viitekehyksiä ovat kansallisessa diskurssissa keskeiset ja myös perinteiset: kansakunnan näkeminen perheenomaisena, valtion näkeminen kotina, kansallinen luonto ja kansallismaisema, mentaliteetti, sekä poliittinen historia. Lopuksi pohdin vaikutteita, jotka näyttävät kumpuavan kansallislaulugenrestä; tutkimusaineistoni metallilyriikoilla ja Maamme-laululla on yllättävän paljon yhteistä. >> |
|
| |
Address  |
Finnish: Vaasan yliopisto; Swedish: Vasa universitet |
|
| |
Corporate Author |
|
Thesis |
Master's thesis |
|
| |
Publisher |
University of Vaasa |
Place of Publication |
Vaasa, Finland |
Editor |
Mäntymäki, Tiina (Supervisor) |
|
| |
Language |
English |
Summary Language |
Finnish |
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
PDF |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
Faculty of Philosophy, English Studies; not found in ProQuest Dissertations & Theses Global database |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2522 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Zapata, Alex |
|
| |
Title |
La voz en los ochenta. Nuevos estilos al baile. |
Type |
Journal Article |
| |
Year |
2003 |
Publication |
Pensamiento Crítico: Revista Electrónica de Historia |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
3 |
Pages |
1-63 |
|
| |
Keywords |
|
|
| |
Abstract |
Rock in Chile (1983 – 1992). Authors, styles, its industry, social function of its lyrics among others. Period studied is one in which this musical movement was revised and recast after a long period of marginalization in Chile. |
|
| |
Address |
eJournal that is No longer available online. |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Pensamiento Crítico |
Place of Publication |
Santiago de Chile |
Editor |
|
|
| |
Language |
Spanish |
Summary Language |
English |
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
0717-7224 |
ISBN |
|
Medium |
PDF |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
Article/issue is available online. |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2291 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Yépez Aguirre, Jimmy Renzo |
|
| |
Title |
La Metaldad y el Habitus y Metalicus en la ciudad de Lima 1994-2014 |
Type |
Journal Article |
| |
Year |
2019 |
Publication |
Pluriversidad, the academic journal of Vicerrectorado Académico de la Universidad Ricardo Palma |
Abbreviated Journal |
Pluriversidad |
|
| |
Volume |
|
Issue |
3 |
Pages |
21 |
|
| |
Keywords |
Individualism; mercantilism; fetichism; rock music; habitus-field |
|
| |
Abstract |
This study has been oriented, to identify the benefits of the qualitative method of the theory built on the different aspects of feeling and thinking of the Metaleros1 in the city of Lima, in order to analyze their impersonal relations with society. In this sense the following objective was proposed: to understand why the social life individualization, the cultural commodification and the music fetishism is reproduced in the feeling and thinking of Lima’s metaleros. An in-depth interview was conducted with 23 young adults and metaleros between aged 14 to 48 years old as a range or limit, which resulted in a non-probabilistic sample. Two conceptual categories were identified: Rockandad and Metaldad, which serve to give interpretation to the problematic raised. In addition, a conceptual theoretical instrument called pyramidal dialectic was elaborated, to give way to the explanation of the research carried out. |
|
| |
Address |
Av. Benavides 5440 – Santiago de Surco Lima 33 Perú | postal section 1801 | ( 0511 ) 708 0000 | Email: helpdesk@urp.edu.pe |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Universidad Ricardo Palma |
Place of Publication |
Lima, República del Perú |
Editor |
Martínez Llaque, José |
|
| |
Language |
Spanish |
Summary Language |
English |
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
Print: 2617-6254 / Online: 2617-6262 |
ISBN |
|
Medium |
PDF |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
Creative Commons 4.0 (CC BY-NC) |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2282 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Guibert, Gérôme |
|
| |
Title |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
Type |
Book Chapter |
| |
Year |
2018 |
Publication |
Made in France: Studies in Popular Music |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
296 |
|
| |
Keywords |
|
|
| |
Abstract |
Book summary: Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. |
|
| |
Address |
711 Third Avenue, New York, NY 10017 |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Routledge |
Place of Publication |
New York, NY |
Editor |
Gérôme Guibert, Catherine Rudent |
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-1-138-79304 (hbk), 978-1-315-76161 (ebk) |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
paperback, hardback, eBook |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2470 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Pichler, Peter |
|
| |
Title |
To the sources! On historical source criticism in metal studies |
Type |
Journal Article |
| |
Year |
2023 |
Publication |
Popular Music History |
Abbreviated Journal |
|
|
| |
Volume |
15 |
Issue |
1 |
Pages |
54–77 |
|
| |
Keywords |
Metal Studies, History, Source Criticism, sonic knowledge, Styria, historical sources, metal scenes |
|
| |
Abstract |
Metal studies is usually considered to be a fundamentally interdisciplinary field of research. However, the disciplines that were included at its beginning (mostly sociology, cultural anthropology, musicology, and philosophy) are still theoretically dominant. As a consequence, several important research questions that do not reflect these disciplines’ epistemologies have remained unanswered to this day. To a great extent, this applies to historical research questions on metal scenes. In this respect, the author argues that metal studies could benefit from the expertise of history in general and source criticism in particular. In order to develop this argument, necessary basic traits of contemporary historical source criticism are introduced. Then, the author proceeds by individually discussing three fundamental types of sources that are structurally tied to the historical long-term processes in metal scenes: concert flyers, album covers and band T-shirts. Research into the Styrian metal scene in south-eastern Austria provides examples. To conclude, it is posited that starting from a semiotic concept of source criticism and then adapting such a concept for the specific purposes of metal studies is necessary to nurture historical awareness and the accuracy of relevant research. |
|
| |
Address |
15 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Equinox Publishing Ltd |
Place of Publication |
United Kingdom |
Editor |
Catherine Strong; Shane Homan |
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
1740-7133 (Print); 1743-1646 (Online) |
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2469 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Burke, David |
|
| |
Title |
Esoteric Symbolism in Doom Metal |
Type |
Book Whole |
| |
Year |
2016 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
Rhetoric; Motifs; Doom metal; Esoterism |
|
| |
Abstract |
“By contrast, this study will focus on the way in which (some, but not all) doom metal artistsincorporate three cultural ideas into their works; horror, the occult, and the psychedelic. Whilstmuch of metal focuses on horror and monsters, particularly death metal, doom metal's use of moreesoteric material separates it from much of the larger metal genre, and connects it to an eclecticrange of cultural and musical influences. Doom metal's use of such paradigms has not beenexamined thus far, but there is much to be learned from such study; these cultural trends areintegral to understanding the history of esotericism and countercultural practice. In this study I willdefine each of those three cultural ideas, as well as further considering the cultural discourses thatcompose doom metal, and defining which styles within the genre are of the most interest. I will thenanalyse a range of music, album art and interviews with musicians, aiming to pinpoint how, and forwhat purpose, each band incorporates those elements into their style. Further, I will investigate howthese musicians and their works form part of larger zeitgeists (particularly that of esotericism), andwill consider how these artists, in different times and places, have come to utilise similar symbolsand ideas. These commonalities between musicians, I will argue, shows doom metal to be a 'glocal'musical phenomenon that has the ability to utilise a wide variety of cultural ideas and artifacts invariegated situations.” (from 4th page of introduction) |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Bachelor's thesis |
|
| |
Publisher |
University of Southampton |
Place of Publication |
Southampton |
Editor |
|
|
| |
Language |
en |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
BA (History) Degree |
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ burke_esoteric_2016 |
Serial |
442 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Lopes, Pedro Alvim Leite |
|
| |
Title |
Heavy Metal no Rio de Janeiro e Dessacralização de símbolos religiosos: a música do demônio na cidade de São Sebastião das Terras de Vera Cruz |
Type |
Book Whole |
| |
Year |
2006 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
204 |
|
| |
Keywords |
Non-Western scenes; Brazil; REligion |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Ph.D. thesis |
|
| |
Publisher |
Universidade Federal do Rio de Janeiro |
Place of Publication |
Rio de Janeiro |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
PDF |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ lopes_heavy_2006 |
Serial |
986 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Castillo Bernal, Stephen |
|
| |
Title |
Música del Diablo: imaginario, dramas sociales y ritualidades de la escena metalera de la ciudad de México |
Type |
Book Whole |
| |
Year |
2015 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
343 |
|
| |
Keywords |
Ritual Theory; Imaginarios sociales; Mexico City; Antropología; Heavy Metal Music; Satanism; Mexico; Sociology; Non-Western scenes; Imaginary; Aspectos sociales – México (Ciudad); Heavy metal (Música)–México–Historia; Tribus urbanas – Aspectos simbólicos – México (Ciudad); Conciertos (Heavy metal); Aspectos socioculturales–México (Ciudad). |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Instituto Nacional de Antropología e Historia |
Place of Publication |
Mexico |
Editor |
|
|
| |
Language |
Spanish |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
Colección Etnología y Antropología Social |
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-607-484-709-3 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
https://worldcat.org/title/953587169?oclcNum=953587169 |
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ castillo_bernal_musica_2015 |
Serial |
1578 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
|
|
| |
Title |
|
Type |
Journal Article |
| |
Year |
|
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
|
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ aguirre_politica_2013 |
Serial |
1596 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
García Castiblanco, Norma; Cáceres Parra, Jórge |
|
| |
Title |
Voces Resonantes Memoria y Resistencia. Metal en Colombia: Memorias de violencia y resistencia para la No Repetición. |
Type |
Magazine Article |
| |
Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
Abbreviated Journal |
|
|
| |
Volume |
1 |
Issue |
1 |
Pages |
48-49 |
|
| |
Keywords |
|
|
| |
Abstract |
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
Editor |
|
|
| |
Language |
español |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
2953-3805 |
ISBN |
|
Medium |
PDF |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2407 |
|
| Permanent link to this record |
