Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Goossens, Didier; Varas-Díaz, Nelson; Banchs, Edward |
Lost in the field: Lessons from metal music studies fieldwork in the Global South |
2022 |
Metal Music Studies |
8 |
163-182 |
| Gracyk, Theodore |
Heavy Metal: Genre? Style? Subculture? |
2016 |
Philosophy Compass |
11 |
775-785 |
| Gregof, Nancy |
ALERTA, ALERTA, ALERTA QUE CAMINA. MUJERES FEMINISTAS POR AMÉRICA LATINA |
2022 |
Metal de Habla Hispana |
1 |
118-121 |
| Gremsl, Thomas |
“Law(s) of the Metal Scene” – Not Laws, But Values, Norms, and Principles |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
43-54 |
| Guberman, Daniel |
Massive Scar Era, Heavy Metal, and Two Tyrannies |
2018 |
Tyrannny and Music |
|
183-198 |
| Guibert, Gérôme |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
2018 |
Made in France: Studies in Popular Music |
|
296 |
| Gutiérrez, Julio César |
Imágenes Reflejo del Ajayu del Under Boliviano |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
201-242 |
| Hamma, Amine; Trott, Brian |
Satan Wasn’t There: The Perseverance of the Moroccan Metal Scene |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
369-386 |
| Hann, Michael |
Denim and Leather: The Rise and Fall of the NWOBHM |
2022 |
|
|
|
| Hannan, CalderCalder |
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” |
2022 |
Music Theory Online |
28 |
s.p. |
