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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Deyhle, Donna |
From Break Dancing to Heavy Metal: Navajo Youth, Resistance, and Identity |
1998 |
Youth & Society |
30 |
3-31 |
|
|
|
Doesburg, Charlotte |
The Adaptation and Appropriation of the “Kalevala” and Folk Poetry in Finnish Metal Music |
2021 |
|
|
|
|
|
|
Downing, Danny |
Defending the Realm: National Identity, Heritage and Nationalism in Black Metal |
2012 |
|
|
|
|
|
|
Elovaara, Mika |
Thor and trolls, flutes and fiddles: ”folk” in metal |
2017 |
Connecting metal to culture: unity in disparity |
|
|
|
|
|
Faria, Fabio Coura de |
Roots and Routes: The Cultural Politics and Translocality of Hip Hop and Heavy Metal |
2022 |
|
|
|
|
|
|
Ferrarese, Marco |
Heavy Metal Nothingness: Alluring Foreignness And Authenticity Construction In Early 2010s Malaysian Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
195-205 |
|
|
|
Folgueira Lombardero, Pablo |
La idea de historia en el heavy metal español |
2010 |
Tiempo y Sociedad |
3 |
5-41 |
|
|
|
Frangioni, Tommaso; Masina, Filippo; Pieroni, Giulio; Venturella, Mario |
Son(g)s of Darkness: Identities in Italian Black Metal |
2018 |
Sounds of origin in heavy metal music |
|
71-94 |
|
|
|
Glitsos, Laura |
Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime |
2019 |
Australian Metal Music |
|
91-110 |
|
|
|
Grant, Sam |
From Umm Kulthum to Orphaned Land: The influence of female musicians in constructing Israeli/Palestinian narratives |
2016 |
Metal Music Studies |
2 |
215-232 |
|
