| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Heath, Douglas |
Heavy Metal From The Antarctic Ends Of The Earth: Investigating The Metal Music Identity From Invercargill, Southland, New Zealand |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
230-239 |
|
|
|
Heinen, Serina |
”Odin rules”: Religion, Medien und Musik im Pagan Metal |
2017 |
|
|
|
|
|
|
Helden, Imke von |
Norwegian native art: cultural identity in Norwegian metal music |
2017 |
|
|
|
|
|
|
Helden, Imke von |
Større enn tid, tyngre enn natt – The Interplay of Language and Cultural Identity in the Lyrics of Norwegian Metal Bands |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
49-59 |
|
|
|
Heley, Jesse; Welsh, Marc |
Regions rock : heavy metal and the role of music in the construction of regional identity for the British Midlands |
2017 |
Reanimating regions: culture, politics and performance |
|
26-45 |
|
|
|
Herbst, Jan-Peter |
From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal |
2020 |
Metal Music Studies |
6 |
87-108 |
|
|
|
Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
|
|
|
Hill, Rosemary; Spracklen, Karl (eds) |
Heavy fundametalisms: music, metal and politics |
2010 |
|
|
|
|
|
|
Hoad, Catherine |
’Hold the Heathen Hammer High’ Viking metal from the local to the global |
2013 |
Shifting Sounds: Musical Flow: A Collection of Papers from the 2012 IASPM Australia/New Zealand Conference. |
|
62-70 |
|
|
|
Hoad, Catherine |
’He can be whatever you want him to be’: Identity and intimacy in the masked performance of Ghost |
2018 |
Popular Music; Cambridge |
37 |
175-192 |
|
