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Rosa, Hartmut | ||||
| Title | When Monsters Roar and Angels Sing: Eine kleine Soziologie des Heavy Metal | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 187 | ||
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| Abstract | <<Ehemals Musik junger Abgehängter und Outlaws, ist Heavy Metal heute mehr und mehr in der Mitte der Gesellschaft angekommen: Wohl mehr als 10 Millionen Deutsche hören Heavy Metal. Aber warum tun sie das? Was suchen und was finden sie in dieser Musik, die von Außenstehenden oft als purer Lärm empfunden wird? Warum wimmelt es im Heavy Metal nur so von Monstern und Teufeln – und wieso schweigen auch die Götter und die Engel nicht? Was erleben Metalfans, wenn sie ihre Musik hören – und welche Erfahrung treibt sie immer wieder ins Konzert? Wieso lesen sie ständig Musikzeitschriften und hören nicht auf, CDs zu kaufen? Wie ist es zu erklären, dass 40 Prozent der Metalfans behaupten, die Musik habe ihr Leben gerettet? Und warum ist Heavy Metal stärker als die Musikindustrie? Worum geht es im Heavy Metal wirklich? Diese Fragen und mehr beantwortet Hartmut Rosa in dieser kleinen Soziologie des Heavy Metal.>> [Once the music of young socialites and outlaws, heavy metal has now become more and more mainstream in society: more than 10 million Germans listen to heavy metal. But why do they do this? What are they looking for and what do they find in this music, which outsiders often perceive as pure noise? Why is heavy metal so full of monsters and devils – and why don't the gods and angels stay silent either? What do metal fans experience when they listen to their music – and what experience drives them to go to concert again and again? Why do they keep reading music magazines and don't stop buying CDs? How can we explain the fact that 40 percent of metal fans claim that music saved their lives? And why is heavy metal stronger than the music industry? What is heavy metal really about? Hartmut Rosa answers these questions and more in this little sociology of heavy metal.] // << Der Soziologe Hartmut Rosa überträgt in „When Monsters Roar and Angels Sing. Eine kleine Soziologie des Heavy Metal“ seine vieldiskutierte Resonanztheorie ganz konkret auf das praktische Beispiel Heavy Metal. Was suchen und was finden Menschen in dieser Musik? Und was kann die Gesellschaft von der Kulturströmung Heavy Metal lernen? “Heavy Metal ist für mich ein troziges 'Trotzdem!'”, so Hartmut Rosa. Wir haben mit dem bekennenden Metalfan zu seinem neuen Buch gesprochen.“ >> [In “When Monsters Roar and Angels Sing. A Short Sociology of Heavy Metal,” the sociologist Hartmut Rosa specifically transfers his much-discussed resonance theory to the practical example of heavy metal. What are people looking for and what do they find in this music? And what can society learn from the heavy metal cultural movement? ”For me, heavy metal is a defiant 'Nevertheless!'" says Hartmut Rosa. We spoke to the self-confessed metal fan about his new book.] (Source: https://shop.kohlhammer.de/) |
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| Publisher | Kohlhammer Verlag | Place of Publication | Stuttgart, Baden-Württemberg, Germany | Editor | |
| Language | German | Summary Language | Original Title | ||
| Series Editor | Series Title | MetalBook (Volume 1) | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 9783170426481 | Medium | Hardback | |
| Area | Expedition | Conference | |||
| Notes | Print; PDF eBook; ePub eBook; Sonstiges Hörbuch/Audio-CD | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2531 | ||
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| Author |
Rodríguez, Pablo | ||||
| Title | Encuentro de Ritmos Tradicionales con Distorsiones del Mundo: Propuestas musicales ecuatorianas donde conviven el rock y la música tradicional. | Type | Magazine Article | ||
| Year | 2020 | Publication | R-ZINE | Abbreviated Journal | |
| Volume | 1 | Issue | Pages | 14-25 | |
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| Publisher | Sociedad Anómica; Universidad San Francisco de Quito | Place of Publication | San Francisco de Quito, Republic of Ecuador | Editor | Viteri, Juan Pablo |
| Language | Spanish | Summary Language | Original Title | ||
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| ISSN | ISBN | Medium | Google Doc | ||
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| Notes | Este primer número de R-ZINE fue financia do por la Universidad San Francisco de Qui to USFQ (Ecuador) a través de su programa de Grants de Producción Creativa (grant 2019-2020) del Decanato de Investigación. R-Zine es un proyecto de investigación creativa del Colegio de Comunicación y Artes Contemporáneas (COCOA). Diez Años De Música Independiente. | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2294 | ||
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| Author |
Robertson, Wes | ||||
| Title | Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene | Type | Journal Article | ||
| Year | 2022 | Publication | Parergon | Abbreviated Journal | |
| Volume | 39 | Issue | 1 | Pages | 79-104 |
| Keywords | Folk Metal; Japan; Neomedievalism; History; Motifs; Cultural identity | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2299 | ||
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| Author |
Rivero-Vadillo, Alejandro | ||||
| Title | Greening Black Metal: The EcoGothic Aesthethics of Botanist’s Lyrics | Type | Journal Article | ||
| Year | 2022 | Publication | Ecozon@ | Abbreviated Journal | |
| Volume | 13 | Issue | 1 | Pages | 106-124 |
| Keywords | Botanist (Band); Ecology; Environmentalism; Black metal | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2335 | ||
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| Author |
Rivero-Vadillo, Alejandro | ||||
| Title | “An Indigenous Fucking Blood Revival”: Pagan Aesthetics in The US Indigenous Black Metal Scene | Type | Journal Article | ||
| Year | 2024 | Publication | Complutense Journal of English Studies | Abbreviated Journal | |
| Volume | 32 | Issue | Pages | e81707 | |
| Keywords | Pagan Black Metal; Nechowen (band); Pan-Amerikan Native Front (band); Indigenous metal | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2552 | ||
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| Author |
Riekki, Matti | ||||
| Title | North From Here: The Sentenced Story (English edition) | Type | Book Whole | ||
| Year | 2021 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 262 | ||
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| Abstract | Founded in 1989, metal band Sentenced was a pioneer of Finnish heavy music. The band’s melancholy tunes had a universal appeal that spoke to audiences far further afield than just in their native North, with more than a million records sold worldwide. Over the course of their sixteen-year long career, Sentenced toured Europe and North America extensively. The story of these Northern Ostrobothnian (anti)heroes takes them on a wild ride through early teenage bravado to ludicrously absurd and profoundly tragic twists of fate. Along the way you’ll learn their songwriting secrets, experience unforgettable shows and explore the deepest troughs of despair that is life on tour. Deathly disaster and Northern gallows humour; triumphs and squandered opportunities. These heavy-drinking, famously taciturn men in black tell the tale of what it was like to play in the band called Sentenced. Author Matti Riekki is a music journalist specialising in heavy rock, known as the host of the late national radio show Metalliliitto and the longstanding Editor-in-Chief of Finnish heavy metal magazine Inferno. |
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| Publisher | Svart Records | Place of Publication | Editor | ||
| Language | English | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2277 | ||
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| Author |
Riekki, Matti | ||||
| Title | Täältä Pohjoiseen: Sentencedin Tarina | Type | Book Whole | ||
| Year | 2014 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 262 | ||
| Keywords | Sentenced, Death Metal, Melodic Death Metal, Gothic Metal, Finland | ||||
| Abstract | “Sekä puhumiseen että riemuitsemiseen pätee sama perussääntö: näitä tehdään vain kun on oikea tarve. Valittamiseen ja murehtimiseen riittää toki vähempikin.”Vuonna 1989 perustettu Sentenced oli suomalaisen raskaan rockin uranuurtaja. Melankoliasta voimaa puristanut yhtye vetosi muuallakin kuin Pohjolassa, ja sen levymyynti hipoo maailmanlaajuisesti miljoonaa. Kuusitoistavuotisen uransa aikana Sentenced teki lukuisia kiertueita Euroopassa ja Pohjois-Amerikassa. Vankka suosio Keski-Euroopassa teki yhtyeelle tutuksi muun muassa Berliinin ja Dortmundin klubit sekä festivaalit Saksan Rock Hardista Hollannin legendaariseen Dynamo Open Airiin. Euroopan laitoja yhtye kolusi aina Lontoon Astoria-klubilta Roomaan ja Osloon, joista jälkimmäisiä bändi muistaa kiertueuran pahoina paikkoina. Euroopan lisäksi lähinnä Yhdysvalloissa kiertänyt yhtye nousi viimeisellä ulkomaankiertueellaan vuonna 2005 lauteille myös Moskovassa ja Mexico Cityssä, missä mukana laulava yleisömassa sai keikkapaikan seinät tutisemaan ja lopettamispäätöksen tehneen bändin jäsenten silmäkulmat kostumaan.Pohjoispohjalaisten teinipoikien uhosta alkanut tarina on täynnä poskettomia käänteitä ja syvää tragiikkaa. Biisien synnyn salat, ikimuistoiset keikat ja kiertue-elämän alhot. Kuolemanvakavat kohtalot ja pohjoispohjalainen hirtehishuumori, saavutukset ja menetetyt mahdollisuudet. Raskaasti ryyppäävinä, mustiin pukeutuvina tuppisuina tunnetut miehet kertovat, mitä oli soittaa yhtyeessä nimeltä Sentenced. | ||||
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| Publisher | Like Kustannus Oy | Place of Publication | Editor | ||
| Language | Finnish | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2278 | ||
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| Author |
Reithaug, Eirik Albrethsen | ||||
| Title | Skald Av Satans Sol: An exploration of early Norwegian black metal through topic theory | Type | Book Whole | ||
| Year | 2022 | Publication | Abbreviated Journal | ||
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| Keywords | Musicology; Black Metal; Norway; Conventions | ||||
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| Corporate Author | Thesis | Master's thesis | |||
| Publisher | University of Oslo | Place of Publication | Oslo | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2341 | ||
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| Author |
Reis Alecrim, Thales | ||||
| Title | The Day of Doom Has Come: A representação do mal, a indústria cultural e a cultura da participação na produção do Sepultura (1984-1987) | Type | Book Whole | ||
| Year | 2021 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Sepultura (band); Evil; Music Industry | ||||
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| Corporate Author | Thesis | Master's thesis | |||
| Publisher | Universidade de São Paulo | Place of Publication | São Paulo | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2260 | ||
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| Author |
Reis Alecrim, Thales | ||||
| Title | PRIMITIVE FUTURE: Metal, Tempo e Neoliberalismo na Produção Musical do Sepultura (1989) | Type | Journal Article | ||
| Year | 2023 | Publication | História e Cultura | Abbreviated Journal | |
| Volume | 12 | Issue | 2 | Pages | 175-197 |
| Keywords | Sepultura (band); Pessimism; Future; Capitalism; Neoliberalism | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2545 | ||
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