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Tapia, R., & Mendoza, B. (2022). Hardcore punk as an effort to Indigenize the underground scene in La Paz during the neo-liberal era of resistance 1993‐2003. Metal Music Studies, 8(2), 143–161.
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Tapia, R. (2022). El Metal Underground como Cultura, Identidad y Resistencia. In R. Tapia, & B. Mendoza (Eds.), El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano (pp. 9–30). La Paz: Ediciones Jichha.
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Tapia, R. (2023). Observaciones y Resumen del Primer Congreso y Encuentro de Rock y Metal en Bolivia. In Perspectivas y Resistencias Musicales (pp. 17–36). La Paz: Ediciones Rincón.
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Tapia, R. (2023). Perspectivas y Resistencias Musicales.
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Szpajdel, C. (2020). Archaic Modernism: The Art of Christophe Szpajdel. UK: Heavy Music Artwork.
Abstract: “Christophe's work is extremely sought after, and it has now gained interest from clients outside the metal scene. By far one of the most prolific but also the furthest reaching artist with now around 10,000 logos completed to date. Art Deco and Art Nouveau are the real sources of inspiration, exploring the abyss of imagination in crafting a logo and at the same time, aesthetically pleasant, attractive and functional. 'Archaic Modernism' takes a journey into the artist visual universe and philosophy, accompanied by the works of Stanislav Krawczyk.”
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Sylvester, S., & Cioppi, G. D. (2021). The Necromancer of Rock: The Origins of Death SS. Jacksonville, OR: Ajna Bound.
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Swist, J. J. (2021). Headbanging to Byzantium: The Reception of the Byzantine Empire in Heavy Metal Music. In E. Künyeleri (Ed.), İstanbul’da Bu Ne Bizantinizm! / What Byzantinism is this in Istanbul! (pp. 200–229). Istanbul: İstanbul Araştırmaları Enstitüsü Yayınları.
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Swist, J. (2022). “Wolves of the Krypteia”: Lycanthropy and right-wing extremism in metal’s reception of ancient Greece and Rome. Metal Music Studies, 8(3), 309–325.
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Swiniartzki, M. (2021). Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994). Journal of Popular Music Studies, 33(3), 168–193.
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Swiniartzki, M. (2021). Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals. Archiv für Sozialgeschichte, 61, 445–472.
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