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Author |
Ortiz Cuchivague, Karen |
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Title |
Paroxis Histérica un podcast feminista antirracista y decolonial. |
Type |
Magazine Article |
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Year |
2022 |
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Volume |
1 |
Issue |
1 |
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Abstract |
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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Publisher |
REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
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español |
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Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
Approved |
yes |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2416 |
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Author |
Córdoba Romero, Jesús Antonio |
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Title |
Metal to the Bone: Falta de autocrítica y feminismo dentro del metal. |
Type |
Magazine Article |
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Year |
2022 |
Publication |
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Abbreviated Journal |
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Volume |
1 |
Issue |
1 |
Pages |
28-29 |
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Abstract |
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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Publisher |
REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
Editor |
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español |
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Edition |
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ISSN |
2953-3805 |
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PDF |
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Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
Approved |
yes |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2417 |
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Author |
Núñez, María de la Luz |
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Title |
Crítica feminista a través de la técnica de voz gutural: el caso Vofemex. |
Type |
Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
Abbreviated Journal |
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Volume |
1 |
Issue |
1 |
Pages |
26-27 |
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Abstract |
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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Publisher |
REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
Editor |
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español |
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ISSN |
2953-3805 |
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PDF |
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Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
Approved |
yes |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2418 |
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Author |
Saavedra Rodríguez, Milen Graciela |
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Title |
Metal y feminismo(s) en Bolivia: Entre la denuncia y la visibilización. |
Type |
Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
Abbreviated Journal |
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Volume |
1 |
Issue |
1 |
Pages |
24-25 |
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Keywords |
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Abstract |
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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Corporate Author |
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Thesis |
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Publisher |
REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
Editor |
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Language |
español |
Summary Language |
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Series Editor |
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Edition |
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ISSN |
2953-3805 |
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PDF |
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Conference |
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Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
Approved |
yes |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2419 |
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Author |
Herbst, Jan-Peter (ed) |
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Title |
The Cambridge Companion to Metal Music |
Type |
Book Whole |
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Year |
2023 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
320 |
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Keywords |
Heavy metal; Twentieth-Century and Contemporary music; Music: General interest; Music performance |
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Abstract |
“Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre” (source: Amazon.com).
“Since its beginnings more than fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but increasingly as a recognised field of study. This Cambridge Companion reflects the maturing field of 'metal music studies' by introducing the music and its cultures, as well as recent research perspectives from disciplines ranging from musicology and music technology to religious studies, Classics, and Scandinavian and African studies. Topics covered include technology and practice, identity and culture, modern metal genres, and global metal, with reference to performers including Black Sabbath, Metallica and Amon Amarth. Designed for students and their teachers, contributions explore the various musical styles and cultures of metal, providing an informative introduction for those new to the field and an up-to-date resource for readers familiar with the academic metal literature” (source: https://www.cambridge.org/).
Collection: The Cambridge Companions to Music. |
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Publisher |
Cambridge University Press |
Place of Publication |
Cambridge, England |
Editor |
Herbst, Jan-Peter |
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Language |
English |
Summary Language |
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Original Title |
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Series Title |
Cambridge Companions to Music |
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ISBN |
978-1108845861; 978-1108993982; eBook: 9781108991162 |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2463 |
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Permanent link to this record |
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Author |
Pichler, Peter |
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Title |
To the sources! On historical source criticism in metal studies |
Type |
Journal Article |
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Year |
2023 |
Publication |
Popular Music History |
Abbreviated Journal |
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Volume |
15 |
Issue |
1 |
Pages |
54–77 |
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Keywords |
Metal Studies, History, Source Criticism, sonic knowledge, Styria, historical sources, metal scenes |
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Abstract |
Metal studies is usually considered to be a fundamentally interdisciplinary field of research. However, the disciplines that were included at its beginning (mostly sociology, cultural anthropology, musicology, and philosophy) are still theoretically dominant. As a consequence, several important research questions that do not reflect these disciplines’ epistemologies have remained unanswered to this day. To a great extent, this applies to historical research questions on metal scenes. In this respect, the author argues that metal studies could benefit from the expertise of history in general and source criticism in particular. In order to develop this argument, necessary basic traits of contemporary historical source criticism are introduced. Then, the author proceeds by individually discussing three fundamental types of sources that are structurally tied to the historical long-term processes in metal scenes: concert flyers, album covers and band T-shirts. Research into the Styrian metal scene in south-eastern Austria provides examples. To conclude, it is posited that starting from a semiotic concept of source criticism and then adapting such a concept for the specific purposes of metal studies is necessary to nurture historical awareness and the accuracy of relevant research. |
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Address |
15 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom |
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Publisher |
Equinox Publishing Ltd |
Place of Publication |
United Kingdom |
Editor |
Catherine Strong; Shane Homan |
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Language |
English |
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Edition |
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ISSN |
1740-7133 (Print); 1743-1646 (Online) |
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Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2469 |
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Permanent link to this record |
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Author |
Guibert, Gérôme |
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Title |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
Type |
Book Chapter |
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Year |
2018 |
Publication |
Made in France: Studies in Popular Music |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
296 |
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Abstract |
Book summary: Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. |
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Address |
711 Third Avenue, New York, NY 10017 |
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Publisher |
Routledge |
Place of Publication |
New York, NY |
Editor |
Gérôme Guibert, Catherine Rudent |
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Language |
English |
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ISBN |
978-1-138-79304 (hbk), 978-1-315-76161 (ebk) |
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Notes |
paperback, hardback, eBook |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2470 |
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Permanent link to this record |
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Author |
Szpajdel, Christophe |
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Title |
Archaic Modernism: The Art of Christophe Szpajdel |
Type |
Book Whole |
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Year |
2020 |
Publication |
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Abbreviated Journal |
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Volume |
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Pages |
252 |
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Abstract |
“Christophe's work is extremely sought after, and it has now gained interest from clients outside the metal scene. By far one of the most prolific but also the furthest reaching artist with now around 10,000 logos completed to date. Art Deco and Art Nouveau are the real sources of inspiration, exploring the abyss of imagination in crafting a logo and at the same time, aesthetically pleasant, attractive and functional. 'Archaic Modernism' takes a journey into the artist visual universe and philosophy, accompanied by the works of Stanislav Krawczyk.” |
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Address |
Heavy Music Artwork, PO Box 5778, Sevenoaks, TN13 9RW, UK |
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Publisher |
Heavy Music Artwork |
Place of Publication |
UK |
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Language |
English |
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ISBN |
9781800490413, 1800490410 |
Medium |
Hardback |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2471 |
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Permanent link to this record |
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Author |
Guberman, Daniel |
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Title |
Massive Scar Era, Heavy Metal, and Two Tyrannies |
Type |
Book Chapter |
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Year |
2018 |
Publication |
Tyrannny and Music |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
183-198 |
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Publisher |
Lexington Books |
Place of Publication |
New York |
Editor |
Joseph E. Morgan; Gregory N. Reish |
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Language |
English |
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ISBN |
9781498546812 (hardback); 9781498546829 (eBook) |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2513 |
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Permanent link to this record |
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Author |
Trafford, Simon |
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Title |
Amon Amarth Make Mead! Alcohol consumption, masculinity, and the modern Viking |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Middle Ages without borders: A conversation on Medievalism |
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Abstract |
“This paper explores and comments upon the way in which neo-Viking identities, masculinity and alcoholic consumption have become aligned and mutually reinforcing in popular culture, aided and abetted by consumer capitalism and the power of advertising.”
Since 2020, all volumes from the Collection of the French School of Rome and the Library of the French Schools of Athens and Rome are also freely available online on the OpenEdition Books website:
https://books.openedition.org /efr/95
https://books.openedition.org/efr/96 |
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Address |
https://www.publications.efrome.it/opencms/opencms/ |
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Publisher |
Publications de l’École française de Rome |
Place of Publication |
Italy |
Editor |
Tommaso di Carpegna Falconieri; Pierre Savy; & Lila Yawn |
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Language |
English |
Summary Language |
English, Spanish, French |
Original Title |
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Series Editor |
École Française de Rome |
Series Title |
Collection de l'École française de Rome |
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Series Issue |
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Edition |
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ISBN |
978-2-7283-1494-2; 978-2-7283-1493-5 |
Medium |
eBook |
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Notes |
OpenEdition Books |
Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2514 |
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Permanent link to this record |