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Author |
Friconnet, Guillaume |
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Title |
Establishing a taxonomy of metal subgenres based on quantitative musical and thematic features |
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Journal Article |
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Year |
2022 |
Publication |
Metal Music Studies |
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metal music studies |
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Volume |
8 |
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2 |
Pages |
183-203 |
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Keywords |
Genre; Subgenre; Taxonomy |
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2052-3998 |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2316 |
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Author |
Burns, Lori |
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Title |
Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity’s ‘Uniformity,’ Directed by Patric Ullaeus |
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Book Chapter |
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Year |
2019 |
Publication |
The Bloomsbury Handbook to Popular Music Video Analysis |
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183-200 |
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Dark Tranquility (band); Videoclips; Extreme metal |
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Bloomsbury Academic |
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Burns, Lori; Hawkins, Stan |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2399 |
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Author |
Guberman, Daniel |
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Title |
Massive Scar Era, Heavy Metal, and Two Tyrannies |
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Book Chapter |
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Year |
2018 |
Publication |
Tyrannny and Music |
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Pages |
183-198 |
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Lexington Books |
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New York |
Editor |
Joseph E. Morgan; Gregory N. Reish |
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English |
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9781498546812 (hardback); 9781498546829 (eBook) |
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Call Number |
INTech @ brianhickam2019 @ |
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2513 |
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Author |
Tzu-Han Cheng; Chen-Gia Tsai |
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Title |
emale Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs |
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Journal Article |
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Year |
2016 |
Publication |
Frontiers in Psychology |
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7 |
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Pages |
art. 182 |
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Gender; Psychology; Emotion |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2313 |
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Author |
Reis Alecrim, Thales |
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Title |
PRIMITIVE FUTURE: Metal, Tempo e Neoliberalismo na Produção Musical do Sepultura (1989) |
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Journal Article |
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Year |
2023 |
Publication |
História e Cultura |
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12 |
Issue |
2 |
Pages |
175-197 |
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Keywords |
Sepultura (band); Pessimism; Future; Capitalism; Neoliberalism |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2545 |
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Author |
Jeray, Celina |
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Title |
Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal |
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Journal Article |
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Year |
2021 |
Publication |
Anglica. An International Journal of English Studies |
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Volume |
30 |
Issue |
1 |
Pages |
171-190 |
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Keywords |
Glam metal; Sleaze metal; Hair metal; Masculinity |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2586 |
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Author |
Coronado, Jimmy |
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Title |
La influencia de la expresión de la música Metal en la identidad cultural de Tribus Urbanas de metaleros de la ciudad de La Paz |
Type |
Book Chapter |
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Year |
2022 |
Publication |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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Pages |
169-200 |
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Keywords |
La Paz; Bolivia; Sociology |
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Ediciones Jichha |
Place of Publication |
La Paz |
Editor |
Tapia, Reynaldo; Mendoza, Boris |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2488 |
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Author |
Verne, Markus |
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Title |
Musikerfahrung und Kulturrelativismus: Heavy Metal in Madagaskar |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Die Handlungsmacht ästhetischer Objekte |
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Pages |
167-196 |
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Keywords |
Non-Western Scenes; Africa; Madagascar |
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De Gruyter |
Place of Publication |
Berlin |
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Schlitte, Annila; Verne, Markus; Wedekind, Gregor |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2244 |
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Author |
Trummer, Manuel |
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Title |
Highway to Hell: Das Satanische im Heavy Metal |
Type |
Book Whole |
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Year |
2024 |
Publication |
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Pages |
166 |
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<<Produktbeschreibung: Schwarze Messen, Satanismus, Teufelskult – das Satanische hat im Rock 'n' Roll seit jeher einen festen Platz. Jedenfalls warnen konservative Kräfte bereits seit den 1950er Jahren vor dem teuflischen Einfluss der Rockmusik auf Jugend, Kultur und Gesellschaft. Seit den 1970er Jahren kultivierte der Heavy Metal ganz bewusst sein Image als “Teufelsmusik” und zieht bis heute vielfältige kreative Impulse aus dem Satanischen.
Der Teufel selbst begegnet in Musik, Texten und Artworks als schillerndes, vielschichtig besetztes Symbol. Ob als schauerliche Horrorfigur, als provokanter Trickster oder als Idol in parareligiösen okkulten Systemen – er prägt die Ästhetik und Ideologie des Metal wie kaum eine andere Gestalt. Stets bleibt er dabei zugeich Spiegelbild sich verändernder soziokultureller Werte und Normen.
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[Product description: Black masses, Satanism, devil cult – the satanic has always had a firm place in rock 'n' roll. In any case, conservative forces have been warning about the devilish influence of rock music on youth, culture and society since the 1950s. Since the 1970s, heavy metal has consciously cultivated its image as “devil's music” and continues to draw diverse creative impulses from the satanic to this day.
The devil himself appears in music, lyrics and artwork as a shimmering, multi-layered symbol. Whether as a gruesome horror figure, a provocative trickster or an idol in parareligious occult systems – he shapes the aesthetics and ideology of metal like no other figure. It always remains a reflection of changing socio-cultural values and norms.] |
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Kohlhammer Verlag |
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Stuttgart, Baden-Württemberg, Germany |
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German |
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MetalBook (Volume 3) |
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9783170420748 |
Medium |
Hardback |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2533 |
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Author |
Goossens, Didier; Varas-Díaz, Nelson; Banchs, Edward |
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Title |
Lost in the field: Lessons from metal music studies fieldwork in the Global South |
Type |
Journal Article |
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Year |
2022 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
8 |
Issue |
2 |
Pages |
163-182 |
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Keywords |
Non-Western scenes; Global South; Ethno-Journalism; Ethnography |
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2052-3998 |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2315 |
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