|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Plazola Meza, Eduardo |
La “cultura metalera” en el sur de Jalisco, México |
2023 |
Pluralidad cultural y artes identitarias regionales |
|
9-32 |
|
|
Tapia, Reynaldo |
Observaciones y Resumen del Primer Congreso y Encuentro de Rock y Metal en Bolivia |
2023 |
Perspectivas y Resistencias Musicales |
|
17-36 |
|
|
Kruk, Jessica; Robertson, Wesley C. |
An annotated interview with Beastwars: Language, identity and place in New Zealand metal |
2023 |
Perfect Beat |
22 |
s. p. |
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson |
Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries |
2022 |
Music, Sound, and Documentary Film in the Global South |
|
89-112 |
|
|
James, Kieran |
Policing Death. Indonesian Death Metal Music and Alleged or Apparent Criminality |
2023 |
Music in Crime, Resistance, and Identity |
|
52-62 |
|
|
Trafford, Simon |
Amon Amarth Make Mead! Alcohol consumption, masculinity, and the modern Viking |
2021 |
Middle Ages without borders: A conversation on Medievalism |
|
|
|
|
Friconnet, Guillaume |
A k-means clustering and histogram-based colorimetric analysis of metal album artworks: The colour palette of metal music |
2023 |
Metal Music Studies |
9 |
77-100 |
|
|
Hudson, Stephen S. |
Song form and storytelling in mainstream metal |
2023 |
Metal Music Studies |
9 |
7-26 |
|
|
Jordan, Jamie Boddington; Herbst, Jan-Peter |
Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres |
2023 |
Metal Music Studies |
9 |
27-58 |
|
|
Carey, Joshua |
Pure fucking art: Self-harm and performance art in Per ‘Dead’ Ohlin’s musical legacy |
2023 |
Metal Music Studies |
9 |
101-118 |
|