| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Mustamo, Aila |
Symboleita, pahiksia ja rappiota: Kansallissosialismin ristiriitainen lumo suomalaisessa black metalissa [Symbols, villains and decadence: The contradictory enchantment of National Socialism in Finnish black metal] |
2024 |
KULTTUURINTUTKIMUS |
41 |
23-40 |
|
|
|
Weber, Joe |
Ronnie James Dio: the man on the silver mountain |
2024 |
Journal of Maps |
20 |
2349164 |
|
|
|
Cárdenas Azuaje, Diana maría |
El metal en clave de género |
2022 |
Imaginación o Barbarie |
25 |
|
|
|
|
Córdoba Romero, Jesús Antonio |
Metal to the Bone, una mirada con enfoque de género a las escenas metaleras |
2022 |
Imaginación o Barbarie |
25 |
|
|
|
|
Kjellander Hellqvist, Eva |
”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom] |
2023 |
HumaNetten |
50 |
76-91 |
|
|
|
Reis Alecrim, Thales |
PRIMITIVE FUTURE: Metal, Tempo e Neoliberalismo na Produção Musical do Sepultura (1989) |
2023 |
História e Cultura |
12 |
175-197 |
|
|
|
Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Miranda, D.L. |
A Darkened Caribbean: Metal Music’s Imagery as Decolonial Truth-Telling |
2024 |
HIOL: Hispanic Issues On Line |
32 |
102–26 |
|
|
|
Clinton, Esther; Wallach, Jeremy |
“United We Never Shall Fall”: Metal and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
9-22 |
|
|
|
Fessenden, Jon W. |
Resonant Forms: Autistic Hearing and Heavy Metal Aesthetics |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
23-37 |
|
|
|
Jiggens, Rebecca; Shadrack, Jasmine Hazel |
Fools Gather ’Round to Watch Me Bleed: Disability, Isolation, and Participation in Metal’s Communities of Aesthetic Practice |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
38-51 |
|
