Author |
Title |
Year |
Publication |
Volume |
Pages |
Benefield, Adam J. |
Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work |
2020 |
|
|
|
Pascual Auqué , Patricia |
Héroes y poetas. Influencias literarias en la discografía de Héroes del Silencio |
2020 |
Tropleías |
7 |
625-640 |
Silva, Melina Aparecida dos Santos; Silva, Juremir Machado da; Gutfreind, Cristiane Freitas |
Um grito de revolta: Notas sobre o discurso midiático afro-pessimista e a narrativa do filme Death Metal Angola |
2020 |
Logos |
27 |
s. p. |
Szpajdel, Christophe |
Archaic Modernism: The Art of Christophe Szpajdel |
2020 |
|
|
252 |
Setničar, Robert |
“From dawn till doom” – Od zore do pogube: razvoj in značilnosti doom metala kot glasbenega pojava : razvoj in značilnosti doom metala kot glasbenega pojava [“From dawn till doom”: the development and characteristics of doom metal as a musical phenomenon] |
2020 |
|
|
|
Castillo Bernal, Stephen |
¡Invierte la cruz invertida! Primeras apreciaciones sobre el metal cristiano mexicano. |
2020 |
Etnomusicología y globalización: Dinámicas cosmopolitas de la música popular. |
|
113-134 |
Burns, Lori |
Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017) |
2020 |
Popular Musicology and Identity: Essays in Honour of Stan Hawkins |
|
196–217 |
Burns, Lori |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
2020 |
American Music Perspectives |
1 |
98-118 |
López Ramírez Gastón, José Ignacio |
El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano |
2020 |
Antec: Revista Peruana de Investigación Musical |
4 |
60-85 |
Viteri, Juan Pablo |
DIABLO-HUMA [AYA-UMA]: Fuerza ancentral música independiente. |
2020 |
R-ZINE |
1 |
26-37 |