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Mauree, S. (2020). Acteurs de la scène metal et institutions culturelles. In C. Charbonnier, Ë. Salvat, & J. Goebel (Eds.), French metal studied: Approches différenciées des acteurs et des publics (pp. 57–84). Corentin Charbonnier.
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Charansol, P. (2020). La scène metal en France. Situation et perspectives d’avenir. In C. Charbonnier, Ë. Salvat, & J. Goebel (Eds.), French metal studied: Approches différenciées des acteurs et des publics (pp. 19–56). Corentin Charbonnier.
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Charbonnier, C., Salvat, Ë., & Goebel, J. (Eds.). (2020). French metal studied: Approches différenciées des acteurs et des publics. Corentin Charbonnier.
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Franklin, D. (2020). Heavy: how metal changes the way we see the world. London: Constable.
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Kahn-Harris, K. (2020). Engaging with absence: Why is the Holocaust a ”problem” for metal? Metal Music Studies, 6(3), 395–414.
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Langebach, M., & Schulze, C. (2020). Affirmation and denial: Extreme right black metal and the Holocaust. Metal Music Studies, 6(3), 375–393.
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Pieper, H. (2020). The SS in heavy metal lyrics. Metal Music Studies, 6(3), 359–374.
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Kopanski, R. (2020). ”Auschwitz awaits”: Different readings on Sabaton’s ”The Final Solution” (2010) and the question of irony. Metal Music Studies, 6(3), 337–357.
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Williams, D. (2020). Embodying the Auschwitz ”Sonderkommando” in extreme metal. Metal Music Studies, 6(3), 319–336.
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Jackson, I. (2020). From ”The Fading” to ”Scream with Me Never Again!”: Shoah and Jewish identity in Israeli and US metal. Metal Music Studies, 6(3), 299–318.
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