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dos Santos Silva, M. A. (2018). Letters, cassette tapes and zines: The circulation of Brazilian heavy metal as a gift system. Metal Music Studies, 4(1), 241–249.
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Hillier, B. (2018). The aesthetic-sonic shift of melodic death metal. Metal Music Studies, 4(1), 5–23.
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Mackenzie, J. A. (2018). Tech noir: Aesthetic connections between Burroughs’ Naked Lunch and contemporary extreme metal. Metal Music Studies, 4(1), 25–40.
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Udarchik, A. (2018). ‘If you got a tape on, you’re committed’: The revival of cassette tapes in Toronto’s New Wave of Traditional Heavy Metal scene. Metal Music Studies, 4(1), 41–59.
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Spracklen, K. (2018). Throat singing as extreme Other: An exploration of Mongolian and Central Asian style in extreme metal. Metal Music Studies, 4(1), 61–80.
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Hoffin, K. (2018). Decay as a black metal symbol. Metal Music Studies, 4(1), 81–94.
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Herbst, J. - P. (2018). Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4(1), 95–113.
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Zenerian, E. (2018). ‘Doing–listening’ with Deranged’s ”Struck by a Murderous Siege”: An auto-ethnography of death metal vinyl consumption. Metal Music Studies, 4(1), 115–130.
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Round, J., & Savigny, H. (2018). Editorial: Metal and politics special issue. Metal Music Studies, 4(2), 257–264.
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Hill, R. L. (2018). Metal and sexism. Metal Music Studies, 4(2), 265–279.
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