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Author |
Davis, Jessie E. |
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Title |
Music Therapists' Perspectives on the Use of Heavy Metal Music in Music Therapy |
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Music Therapy |
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Master's thesis |
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Molloy University |
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Long Island |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2589 |
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Author |
Tsatsishvili, Valeri |
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Title |
Automatic Subgenre Classification of Heavy Metal Music |
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2011 |
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65 |
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Automatic genre classification; classifications; genre; heavy metal; heavy rock; music; subgenre |
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Automatic genre classification of music has been of interest for researchers over a decade. Many success-ful methods and machine learning algorithms have been developed achieving reasonably good results. This thesis explores automatic sub-genre classification problem of one of the most popular meta-genres, heavy metal. To the best of my knowledge this is the first attempt to study the issue. Besides attempting automatic classification, the thesis investigates sub-genre taxonomy of heavy metal music, highlighting the historical origins and the most prominent musical features of its sub-genres.
For classification, an algorithm proposed in (Barbedo & Lopes, 2007) was modified and implemented in MATLAB. The obtained results were compared to other commonly used classifiers such as AdaBoost and K-nearest neighbours. For each classifier two sets of features were employed selected using two strategies: Correlation based feature selection and Wrapper selection. A dataset consisting of 210 tracks representing seven genres was used for testing the classification algorithms. Implemented algorithm classified 37.1% of test samples correctly, which is significantly better performance than random classification (14.3%). However, it was not the best achieved result among the classifiers tested. The best result with correct classification rate of 45.7% was achieved by AdaBoost algorithm.
(Source: https://jyx.jyu.fi/handle/123456789/37227#) |
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Master's thesis |
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University of Jyväskylä |
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Jyväskylä, Finland |
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English |
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English |
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Programme in Music, Mind and Technology |
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INTech @ brianhickam2019 @ |
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2606 |
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Author |
Burke, David |
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Title |
Esoteric Symbolism in Doom Metal |
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2016 |
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Rhetoric; Motifs; Doom metal; Esoterism |
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“By contrast, this study will focus on the way in which (some, but not all) doom metal artistsincorporate three cultural ideas into their works; horror, the occult, and the psychedelic. Whilstmuch of metal focuses on horror and monsters, particularly death metal, doom metal's use of moreesoteric material separates it from much of the larger metal genre, and connects it to an eclecticrange of cultural and musical influences. Doom metal's use of such paradigms has not beenexamined thus far, but there is much to be learned from such study; these cultural trends areintegral to understanding the history of esotericism and countercultural practice. In this study I willdefine each of those three cultural ideas, as well as further considering the cultural discourses thatcompose doom metal, and defining which styles within the genre are of the most interest. I will thenanalyse a range of music, album art and interviews with musicians, aiming to pinpoint how, and forwhat purpose, each band incorporates those elements into their style. Further, I will investigate howthese musicians and their works form part of larger zeitgeists (particularly that of esotericism), andwill consider how these artists, in different times and places, have come to utilise similar symbolsand ideas. These commonalities between musicians, I will argue, shows doom metal to be a 'glocal'musical phenomenon that has the ability to utilise a wide variety of cultural ideas and artifacts invariegated situations.” (from 4th page of introduction) |
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Bachelor's thesis |
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University of Southampton |
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Southampton |
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en |
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BA (History) Degree |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ burke_esoteric_2016 |
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442 |
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Author |
Alarcón Ruiz, Juan Carlos |
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Title |
CULTURA JUVENIL E IDENTIDAD: ORIGEN Y DESARROLLO DE LA CULTURA DEL METAL EN LA CIUDAD DE LIMA ENTRE LOS AÑOS 1980 Y 2017 |
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2017 |
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316 |
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Youth culture; identity; subculture; cultural construction; metal music |
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This research deals with the origin and development of the culture of Metal music in the city of Lima, and how adolescents of that time began the construction of a musical scene and the construction of an identity as individuals and as a community. The initial development of this urban culture took place during the 1980s, a period that was disastrous for Peru, where there was a chaotic context at the political, social level; economic; terror, suffering and above all uncertainty about the future. Between the bombs, death and destruction – facts generated by armed movements – the culture of Metal began to take shape, having as protagonists this group of adolescents; largely as rebellion and rejection about what they had to live. It was a society they did not want to be in. Based on different cultural manifestations (bands, fanzines, concerts, organizations) they began to build their own world, culture and identity. This identity is revaluated and becomes more powerful today when compared with the new generations of metalheads; who, based on the use of technology and a generally more favorable context, also try to participate in this urban culture. |
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Address |
https://web2.unfv.edu.pe/sitio/ |
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Bachelor's thesis |
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Federico Villarreal National University |
Place of Publication |
Lima, República del Perú |
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Spanish |
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English |
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Notes |
Licenciado en Antropología. |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2281 |
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Author |
Tarazona Elvino, Luis Manuel |
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Title |
Características de la Identidad de Jóvenes que se reúnen entorno a la música Rock – Metal en la ciudad de Huancayo |
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2009 |
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150 |
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Música Rock-Metal |
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En el Perú y los países de América Latina, se suceden los testimonios de búsqueda de una sociedad más inclusiva y democrática, sin embargo persisten problemas estructurales como el creciente deterioro económico, la corrupción en las esferas de poder, el descrédito de las instituciones políticas, el debilitamiento de los mecanismos de integración tradicional (la comunidad), generando una problemática compleja en el cual parecen ganar terreno la conformidad y la desesperanza. En este contexto, surgen formas organizativas y de expresión juveniles; una de estas es el espacio donde se congregan los jóvenes alrededor de la música rock metal, operando como punto de referencia, expresión y construcción de identidades. Sin embargo, no existe mucha información acerca de esta música y mucho menos tesis que hablen acerca de los jóvenes que lo practican. ' Por esta razón, el presente estudio está destinado a conocer como se convocan, organizan y construyen su identidad los jóvenes que se reúnen en torno a la música rock metal en la Ciudad de Huancayo. Para efecto de esta tesis, se recoge la información desde la observación participante y entrevistas a jóvenes varones y mujeres cultores de la música rock metal, así también a organizadores de conciertos y propietarios de discotiendas de música, salas de ensayo y centros donde realizan tatuajes. |
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Bachelor's thesis |
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Universidad Nacional del Centro del Perú |
Place of Publication |
Huancayo, República del Perú |
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Spanish |
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Spanish |
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Licenciado en Antropología |
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no |
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INTech @ brianhickam2019 @ |
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2285 |
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Author |
Venegas Marín, María Paula |
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Title |
Análisis del impacto en la sociedad del movimiento contestatario “Ultra Metal” como alternativa a la violencia que experimentaron los jóvenes de la ciudad de Medellín durante la década de los 80s. |
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Journal Article |
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Ultra metal, Contracultura, Década de los 80s, Violencia, Juventud, Medellín; Ultra metal, Counterculture, 1980s, Violence, Youth, Medellín. |
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Este trabajo investigativo y de carácter cualitativo busca centrarse en las posturas que han derivado desde la comunicación, con aportes de la sociología y las ciencias sociales, a través de un recorrido teórico e histórico de los sucesos más importantes del espectro de tiempo, así como de sus principales aportes y limitaciones de las expresiones artísticas y musicales asociados al movimiento de “Ultra Metal” y la importancia de éste en las transformaciones de la sociedad producto de las dinámicas de violencia asociadas a las disputas de narcotraficantes. Dichas disciplinas han brindado diferentes conceptos al fenómeno de la búsqueda de identidades y de pares, con connotaciones como subcultura, contracultura, tribus urbanas y culturas juveniles, las cuales han surgido con visiones muy diferentes y diversas. Esta investigación tiene por objetivo analizar el impacto en la sociedad del movimiento contestatario “Ultra Metal” como alternativa a la violencia que experimentaron los jóvenes de la ciudad de Medellín durante la década de los 80s. Esto se sustenta en cuatro factores: las condiciones del contexto histórico en la creación del movimiento contracultural contestatario “Ultra Metal”; los imaginarios que se configuran a través de la música y grupos juveniles contestarios que permiten la concepción del mismo como contracultura; los contextos sociales dinamizadores expresados a través de la música, la individualidad, las tribus urbanas en los escenarios de respuesta contra la violencia generada en el tiempo y los conceptos del fenómeno de la búsqueda de identidades y de pares, con connotaciones como subcultura, contracultura, tribus urbanas y culturas juveniles. Bajo esta perspectiva, esta investigación contribuye a las ciencias sociales porque al conocer los impactos que la música tiene en las transformaciones de la sociedad puede servir como base para construir estrategias que permitan a los y las jóvenes encontrar un sentido de vida a través del arte y, de esta manera, convertirse en agentes significativos dentro de una sociedad más justa y equitativa.
[ This investigative and qualitative paper seeks to focus on the positions that have derived from communication, with contributions from sociology and social sciences, through a theoretical and historical journey of the most important events of the spectrum of time, as well as of its main contributions and limitations of the artistic and musical expressions associated with the “Ultra Metal” movement and its importance in the transformations of society as a result of the dynamics of violence associated with drug traffickers' disputes. These disciplines have provided different concepts to the phenomenon of the search for identities and peers, with connotations such as subculture, counterculture, urban tribes and youth cultures, which have emerged with very different and diverse visions. This study aims to analyze the impact on society of the “Ultra Metal” protest movement as an alternative to the violence experienced by young people in the city of Medellin during the 1980s. This is based on four factors: the conditions of the historical context in the creation of the protesting countercultural movement “Ultra Metal”; the imaginaries that are configured through music and rebellious youth groups that allow the conception of it as a counterculture; the dynamic social contexts expressed through music, individuality, urban tribes in response scenarios against violence generated over time and the concepts of the phenomenon of searching for identities and peers, with connotations such as subculture, counterculture, urban tribes and youth cultures.] |
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https://www.unicundi.edu.co/ |
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Universidad de Cundinamarca, Facultad de Educación |
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Bachelor's thesis |
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Universidad de Cundinamarca |
Place of Publication |
Fusagasugá, Cundinamarca, Republic of Colombia. |
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español |
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English |
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PDF, 1.169Mb |
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Open access. Trabajo de grado, Licenciatura en Educación Básica con Énfasis en Ciencias Sociales [127]. |
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Call Number |
INTech @ brianhickam2019 @ |
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2401 |
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Author |
van Doesburg, Eline |
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Title |
The Rejection and Redemption of Technology in Black Metal |
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2023 |
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Black Metal; Technology; Authenticity; Rejection |
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Bachelor's thesis |
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Radboud University |
Place of Publication |
Nijmegen |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2451 |
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Author |
Orálková, Lucie |
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Title |
Hudební analýza alba “Peace Sells... But Who’s Buying?” skupiny Megadeth [Musical analysis of the album “Peace Sells... but Who's Buying?” by Megadeth] |
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2022 |
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Megadeth (band); Peace Sells... But Who’s Buying? (album); Analysis |
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Bachelor's thesis |
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Univerzita Palackého v Olomouci |
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Olomouc |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2452 |
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Author |
Švehla, Martin |
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Title |
Vývoj tuzemského metalového fandomu v době politické transformace 90. let s přihlédnutím k olomoucké scéně [The development of the metal fandom at a time of political transformation] |
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2023 |
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Fandom; Politics; History |
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Bachelor's thesis |
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Univerzita Palackého v Olomouci |
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Olomouc |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2453 |
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Author |
Setničar, Robert |
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Title |
“From dawn till doom” – Od zore do pogube: razvoj in značilnosti doom metala kot glasbenega pojava : razvoj in značilnosti doom metala kot glasbenega pojava [“From dawn till doom”: the development and characteristics of doom metal as a musical phenomenon] |
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2020 |
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Black Sabbath (band); Doom metal; Style |
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Bachelor's thesis |
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Univerza v Ljubljani |
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Ljubljana |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2467 |
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