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Author |
Taylor, Matthew |
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Title |
Eternal Defiance: Celtic Identity and the Classical Past in Heavy Metal |
Type |
Book Chapter |
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Year |
2019 |
Publication |
Classical Antiquity in Heavy Metal Music |
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Pages |
53-76 |
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Keywords |
History; Cultural Identity; Antiquity; Celts |
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Publisher |
Bloomsbury Academic |
Place of Publication |
London, New York, Oxford, New Dehli & Sydney |
Editor |
Fletcher, Kris F.B.; Umurhan, Osman |
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English |
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978-1-350-07535-1 |
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UCM - CAM @ amaranta.saguar.garcia @ fletcher_eternal_2019 |
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642 |
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Author |
Wang, Yuan |
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Title |
Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013 |
Type |
Book Chapter |
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Year |
2015 |
Publication |
Modern Heavy Metal: Markets, Practices and Cultures |
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Pages |
219-229 |
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Keywords |
Sociology; Extreme Metal; Cultural Identity; History (metal music); Non-Western scenes; Music industry; China |
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Publisher |
Aalto University & International Institute for Popular Culture |
Place of Publication |
Helsinki & Turku |
Editor |
Karjalainen, Toni-Matti; Kärki, Kimi |
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UCM - CAM @ amaranta.saguar.garcia @ karjalainen_formation_2015 |
Serial |
373 |
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Author |
Herbst, Jan-Peter |
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Title |
From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal |
Type |
Journal Article |
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Year |
2020 |
Publication |
Metal Music Studies |
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Volume |
6 |
Issue |
1 |
Pages |
87-108 |
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Keywords |
Cultural Identity; Germany |
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en |
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2052-3998, 2052-4005 |
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UCM - CAM @ amaranta.saguar.garcia @ herbst_bach_2020 |
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638 |
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Author |
Deyhle, Donna |
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Title |
From Break Dancing to Heavy Metal: Navajo Youth, Resistance, and Identity |
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Journal Article |
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Year |
1998 |
Publication |
Youth & Society |
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Volume |
30 |
Issue |
1 |
Pages |
3-31 |
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Keywords |
Sociology; Identity; race; Native Americans |
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en |
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UCM - CAM @ amaranta.saguar.garcia @ deyhle_break_1998 |
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1181 |
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Author |
Norman, Joseph |
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Title |
From the Bogs of Aughiska: Dark Ambient, Folklore, and Irish National Identity |
Type |
Book Chapter |
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Year |
2018 |
Publication |
Sounds of origin in heavy metal music |
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Pages |
117-140 |
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Keywords |
Folk Metal; Cultural Identity; Nationalism; Ireland; Dark Ambient |
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Publisher |
Cambridge Scholars Publishing |
Place of Publication |
Cambridge |
Editor |
Karjalainen, Toni-Matti |
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English |
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978-1-5275-1170-5 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ karjalainen_bogs_2018 |
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478 |
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Author |
Grant, Sam |
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Title |
From Umm Kulthum to Orphaned Land: The influence of female musicians in constructing Israeli/Palestinian narratives |
Type |
Journal Article |
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Year |
2016 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
2 |
Issue |
2 |
Pages |
215-232 |
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Keywords |
Gender; Cultural Identity; Non-Western scenes; Israel; Palestina |
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en |
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2052-3998 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ grant_umm_2016 |
Serial |
550 |
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Author |
Glitsos, Laura |
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Title |
Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime |
Type |
Book Chapter |
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Year |
2019 |
Publication |
Australian Metal Music |
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Pages |
91-110 |
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Keywords |
Gothic; Gender; Cultural Identity; Australia |
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Publisher |
Emerald |
Place of Publication |
London |
Editor |
Hoad, Catherine |
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Language |
en |
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978-1-78769-168-1 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ hoad_frontierswomen_2019 |
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505 |
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Author |
Kotila, Sanna |
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Title |
Frost, Blood and a Thousand Lakes: Representing Finnishness in Metal Lyrics |
Type |
Book Whole |
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Year |
2012 |
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Keywords |
black metal, discourse, Finland, representation, articulation, national identity, the narrative of the nation, metal lyrics |
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Abstract |
<< Tutkielmassani selvitän, millaisena suomalaisuus artikuloituu viime vuosien kansainväliselle yleisölle suunnatussa, englanninkielisessä metallilyriikassa. Tutkielmani pohjaa teoreettisesti ajatukselle, että kansallista kulttuuria ja identiteettiä rakennetaan ja tuotetaan diskursiivisesti. Benedict Anderson luonnehtii valtiota kielen avulla kuviteltuna ja määriteltynä yhteisönä. Kansallinen diskurssi tuottaa yhteisöllisyyttä, se määrittelee ”meidät” erityislaatuisina. Kansallisvaltio on käsitteenä historiallisesti suhteellisen uusi, ja jokainen kansakunta on kulttuurisesti hybridi. Silti diskurssin avulla kansakunnasta luodaan representaatio, joka esittää sen olleen olemassa jo määrittelemättömän kauan, ja joka esittää sen olevan kulttuurisesti homogeeninen.
Stuart Hallin teorioima ”kansallinen narratiivi” on metafora, joka asettaa kaikki tiettyä kansallisuutta kuvaavat esitykset yhteyteen. Niistä syntyy kansallinen kertomus, jossa painottuvat usein toistetut kansallisuutta kuvaavat elementit, viitteet ja symboliikka. Mitä enemmän jotain kuvausta toistetaan, sitä itsestään selvempänä se alkaa näyttäytyä, ja sitä vaikeampi se on haastaa, vaikka se ei vastaisikaan totuutta. Tässä piilee diskursiivisuuden voima. Kansalliseen keskusteluun osallistuvat saattavat toistaa vallalla olevia käsityksiä jopa tiedostamattaan.
Tutkimusaineistossani suomalaisuuden elementit; symbolit ja erilaiset viittaukset artikuloituvat metallilyriikan aineksiksi. Kontekstualisointi on keskeisin tekniikkani analysoidessani lyriikoita, tästä syystä myös Deena Weinsteinin teoria metallidiskurssista on oleellinen osa teoriapohjaani. Jotkin viittaukset paljastavat monitahoisen merkityksensä vain, kun ne luetaan asetettuna metallidiskurssin ja kansallisen diskurssin leikkauskenttään. Aineistokseni olen valinnut seitsemän laulun lyriikat, joista jokainen lähestyy suomalaisuutta hieman eri näkökulmasta ja eri painotuksin. Jokainen laululyriikoista muodostaa omanlaisensa kuvan suomalaisuudesta.
Pohdin tutkielmassani lyriikoiden ”kertojien” positioitumista suhteessa suomalaisuuteen. Lyriikoiden suomalaisuus artikuloituu suhteessa toisiin kansallisuuksiin, mutta myös suhteessa valtion sisäiseen dynamiikkaan. Tärkeitä viitekehyksiä ovat kansallisessa diskurssissa keskeiset ja myös perinteiset: kansakunnan näkeminen perheenomaisena, valtion näkeminen kotina, kansallinen luonto ja kansallismaisema, mentaliteetti, sekä poliittinen historia. Lopuksi pohdin vaikutteita, jotka näyttävät kumpuavan kansallislaulugenrestä; tutkimusaineistoni metallilyriikoilla ja Maamme-laululla on yllättävän paljon yhteistä. >> |
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Finnish: Vaasan yliopisto; Swedish: Vasa universitet |
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Master's thesis |
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Publisher |
University of Vaasa |
Place of Publication |
Vaasa, Finland |
Editor |
Mäntymäki, Tiina (Supervisor) |
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English |
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Finnish |
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Faculty of Philosophy, English Studies; not found in ProQuest Dissertations & Theses Global database |
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INTech @ brianhickam2019 @ |
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2522 |
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Author |
Kaiser, Maisie |
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Title |
Gender, Identity, and Power in Metal Music Scenes |
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Book Whole |
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Year |
2016 |
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Gender; Power; Motifs; Cultural Identity; Power metal |
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Ph.D. thesis |
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Hampshire College |
Place of Publication |
Hampshire |
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Language |
en |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ kaiser_gender_2016 |
Serial |
434 |
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Author |
Burns, Robert G.H. |
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Title |
German symbolism in rock music: national signification in the imagery and songs of Rammstein |
Type |
Journal Article |
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Year |
2008 |
Publication |
Popular Music; Cambridge |
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Volume |
27 |
Issue |
3 |
Pages |
457-472 |
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Keywords |
Cultural Identity; Germany; Rammstein |
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0261-1430 |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ burns_german_2008 |
Serial |
842 |
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