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González-Martínez, Susana |
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An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South |
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2023 |
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Defiant Sounds. Heavy Metal Music in the Global South |
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33-66 |
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Global South; Women; Feminism |
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Lexington Books |
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London |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2424 |
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Author |
Nevárez Araújo, Daniel; Susane Hécate |
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An Interview on “Contar/Cantar Memórias da Resistência” |
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2023 |
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Defiant Sounds. Heavy Metal Music in the Global South |
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189-200 |
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Interview; Miasthenia (band) |
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Lexington Books |
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London |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2430 |
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Venegas Marín, María Paula |
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Análisis del impacto en la sociedad del movimiento contestatario “Ultra Metal” como alternativa a la violencia que experimentaron los jóvenes de la ciudad de Medellín durante la década de los 80s. |
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Ultra metal, Contracultura, Década de los 80s, Violencia, Juventud, Medellín; Ultra metal, Counterculture, 1980s, Violence, Youth, Medellín. |
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Este trabajo investigativo y de carácter cualitativo busca centrarse en las posturas que han derivado desde la comunicación, con aportes de la sociología y las ciencias sociales, a través de un recorrido teórico e histórico de los sucesos más importantes del espectro de tiempo, así como de sus principales aportes y limitaciones de las expresiones artísticas y musicales asociados al movimiento de “Ultra Metal” y la importancia de éste en las transformaciones de la sociedad producto de las dinámicas de violencia asociadas a las disputas de narcotraficantes. Dichas disciplinas han brindado diferentes conceptos al fenómeno de la búsqueda de identidades y de pares, con connotaciones como subcultura, contracultura, tribus urbanas y culturas juveniles, las cuales han surgido con visiones muy diferentes y diversas. Esta investigación tiene por objetivo analizar el impacto en la sociedad del movimiento contestatario “Ultra Metal” como alternativa a la violencia que experimentaron los jóvenes de la ciudad de Medellín durante la década de los 80s. Esto se sustenta en cuatro factores: las condiciones del contexto histórico en la creación del movimiento contracultural contestatario “Ultra Metal”; los imaginarios que se configuran a través de la música y grupos juveniles contestarios que permiten la concepción del mismo como contracultura; los contextos sociales dinamizadores expresados a través de la música, la individualidad, las tribus urbanas en los escenarios de respuesta contra la violencia generada en el tiempo y los conceptos del fenómeno de la búsqueda de identidades y de pares, con connotaciones como subcultura, contracultura, tribus urbanas y culturas juveniles. Bajo esta perspectiva, esta investigación contribuye a las ciencias sociales porque al conocer los impactos que la música tiene en las transformaciones de la sociedad puede servir como base para construir estrategias que permitan a los y las jóvenes encontrar un sentido de vida a través del arte y, de esta manera, convertirse en agentes significativos dentro de una sociedad más justa y equitativa.
[ This investigative and qualitative paper seeks to focus on the positions that have derived from communication, with contributions from sociology and social sciences, through a theoretical and historical journey of the most important events of the spectrum of time, as well as of its main contributions and limitations of the artistic and musical expressions associated with the “Ultra Metal” movement and its importance in the transformations of society as a result of the dynamics of violence associated with drug traffickers' disputes. These disciplines have provided different concepts to the phenomenon of the search for identities and peers, with connotations such as subculture, counterculture, urban tribes and youth cultures, which have emerged with very different and diverse visions. This study aims to analyze the impact on society of the “Ultra Metal” protest movement as an alternative to the violence experienced by young people in the city of Medellin during the 1980s. This is based on four factors: the conditions of the historical context in the creation of the protesting countercultural movement “Ultra Metal”; the imaginaries that are configured through music and rebellious youth groups that allow the conception of it as a counterculture; the dynamic social contexts expressed through music, individuality, urban tribes in response scenarios against violence generated over time and the concepts of the phenomenon of searching for identities and peers, with connotations such as subculture, counterculture, urban tribes and youth cultures.] |
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https://www.unicundi.edu.co/ |
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Universidad de Cundinamarca, Facultad de Educación |
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Bachelor's thesis |
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Universidad de Cundinamarca |
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Fusagasugá, Cundinamarca, Republic of Colombia. |
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español |
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English |
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PDF, 1.169Mb |
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Open access. Trabajo de grado, Licenciatura en Educación Básica con Énfasis en Ciencias Sociales [127]. |
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INTech @ brianhickam2019 @ |
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2401 |
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Author |
Banchs, Edward |
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Title |
Ancient, Evil, and African: Heavy Metal and Conflict in East Africa |
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2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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283-302 |
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East Africa; Sociology |
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Lexington Books |
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London |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2436 |
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Barron, Lee |
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Anti-sacred fashion: The use of profane performative costumes in the black metal music and performances of Nergal and Behemoth |
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2024 |
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Fashion, Style & Popular Culture |
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Online first |
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Fashion; Behemoth (band); Nergal (artist); Performance; Black metal; Profanity |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2566 |
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Author |
Szpajdel, Christophe |
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Title |
Archaic Modernism: The Art of Christophe Szpajdel |
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2020 |
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252 |
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“Christophe's work is extremely sought after, and it has now gained interest from clients outside the metal scene. By far one of the most prolific but also the furthest reaching artist with now around 10,000 logos completed to date. Art Deco and Art Nouveau are the real sources of inspiration, exploring the abyss of imagination in crafting a logo and at the same time, aesthetically pleasant, attractive and functional. 'Archaic Modernism' takes a journey into the artist visual universe and philosophy, accompanied by the works of Stanislav Krawczyk.” |
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Heavy Music Artwork, PO Box 5778, Sevenoaks, TN13 9RW, UK |
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Heavy Music Artwork |
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UK |
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English |
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9781800490413, 1800490410 |
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Hardback |
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INTech @ brianhickam2019 @ |
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2471 |
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Author |
Baltazar, Lídia Maria Ferrão |
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Title |
Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands |
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2013 |
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216 |
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Heavy Metal Music, Music Industry, Band Management, Entrepreneurship, Artistic Integrity |
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“The Music Industry is a very complex world that embraces different and broad segments needing of academic exploration. The big majority of studies and/or academic approaches to this unique business world have been focusing greatly on the record labels side but have failed to address the role of those who make the music – the musicians/artists. This is exactly what the present study aimed to understand: What is the role of the musicians in the music business? Aren’t they one of the key elements, essential players, within the whole industry, if not the most important elements ever?
The industry of music includes a large number of creative and wise musicians/bands behind one of the most discriminated music genres in the music history – Heavy Metal Music. However, diverse studies have demonstrated that Heavy Metal is recognized as a music genre that generates profit, with an increasing legion of fans all over the world hence, also considered popular music. Therefore, the purpose of this study is to understand how Heavy Metal Music bands and musicians succeed and how they manage to conciliate artistic creativity and commercial demands. By making a multiple case study analysis within two different settings – Portugal versus Finland – it will be shown that Heavy Metal bands / musicians possess business skills that allow them to manage and conduct both the artistic and business activities of their music business. In some of the cases, it will also be raised their entrepreneurial skills in innovating and finding new ways of reaching the audience and becoming more successful whilst doing what they love the most – making music and playing it live.”
(Source: ProQuest Dissertations Publishing)
Ciências Sociais e Humanas (Social Sciences and Humanities). |
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Doctoral thesis |
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Universidade da Beira Interior |
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Covilhã, Portugal |
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Anabela Dinis |
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English |
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Portuguese |
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ProQuest order number 28761469 |
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yes |
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INTech @ brianhickam2019 @ |
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2517 |
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Author |
Stricker, Jake A. |
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Ascending the Improbable Heights: An Examination of High-Pitched Male Heroism in Opera and Heavy Metal |
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2018 |
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Heroism; Opera; Singing |
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Master's thesis |
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University of Miami |
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Coral Gables |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2492 |
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Silva, Melina Aparecida dos Santos; Machado, Juremir; Gutfreind, Cristiane |
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Associação Nacional dos Programas de Pós-Graduação em Comunicação XXVIII Encontro Anual da Compós, Pontifícia Universidade Católica do Rio Grande do Sul, Porto Alegre – RS, 11 a 14 de junho de 2019 1 www.compos.org.br www.compos.org.br/anais_encontros.php O oposto da destruição?: Death Metal Angola e a negociação com imaginários midiáticos das produções culturais angolanas [The opposite of destruction?: Death Metal Angola and the negotiation with media imaginaries of Angolan Cultural productions] |
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2019 |
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XXVIII Encontro Anual da Compós, Pontifícia Universidade Católica do Rio Grande do Sul, Porto Alegre – RS, 11 a 14 de junho de 2019 |
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Death Metal; Angola; Africa; Afropessimism |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2476 |
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Author |
Tsatsishvili, Valeri |
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Title |
Automatic Subgenre Classification of Heavy Metal Music |
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2011 |
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65 |
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Automatic genre classification; classifications; genre; heavy metal; heavy rock; music; subgenre |
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Automatic genre classification of music has been of interest for researchers over a decade. Many success-ful methods and machine learning algorithms have been developed achieving reasonably good results. This thesis explores automatic sub-genre classification problem of one of the most popular meta-genres, heavy metal. To the best of my knowledge this is the first attempt to study the issue. Besides attempting automatic classification, the thesis investigates sub-genre taxonomy of heavy metal music, highlighting the historical origins and the most prominent musical features of its sub-genres.
For classification, an algorithm proposed in (Barbedo & Lopes, 2007) was modified and implemented in MATLAB. The obtained results were compared to other commonly used classifiers such as AdaBoost and K-nearest neighbours. For each classifier two sets of features were employed selected using two strategies: Correlation based feature selection and Wrapper selection. A dataset consisting of 210 tracks representing seven genres was used for testing the classification algorithms. Implemented algorithm classified 37.1% of test samples correctly, which is significantly better performance than random classification (14.3%). However, it was not the best achieved result among the classifiers tested. The best result with correct classification rate of 45.7% was achieved by AdaBoost algorithm.
(Source: https://jyx.jyu.fi/handle/123456789/37227#) |
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Master's thesis |
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University of Jyväskylä |
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Jyväskylä, Finland |
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English |
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English |
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Programme in Music, Mind and Technology |
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INTech @ brianhickam2019 @ |
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2606 |
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