| Home | << 1 2 3 4 5 6 7 8 9 10 >> [11–20] |
|
| Records | |||||
|---|---|---|---|---|---|
| Author | Pichler, Peter | ||||
Title  |
Breaking the Law? Recht, Moral und Klang in der steirischen Heavy Metal-Szene seit 1980 | Type | Book Whole | ||
| Year | 2024 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 399 | ||
| Keywords | |||||
| Abstract | << Produktbeschreibung: Im Heavy Metal wird seit jeher der Mythos gepflegt, die gesamte Szene bewege sich außerhalb aller gesellschaftlicher und kultureller Normen. Paradigmatisch wird dieses Ideal in dem Klassiker “Breaking the Law” von Judas Priest zum Ausdruck gebracht. Obwohl sich diese Vorstellung als wichtiger Teil des Identitätsfundaments der Metal-Szene etablierte, gibt es bis heute keine Forschungen, die nach dem Zusammenhang von Rechtsbezug, Szene-Ethos und Sound im Heavy Metal fragen. In der vorliegenden Pionierstudie untersucht der Kulturhistoriker Peter Pichler, wie die lokale Metal-Szene in Graz und der Steiermark in den letzten 40 Jahren durch diese Aspekte geprägt wurde. Dem Autor gelingt der Nachweis, dass man die Entstehung der individuellen “Klanglichkeit” des steirischen Metals durch das kulturelle Zusammenspiel von Recht, Moral und Sound erklären kann.>> [Product description: In heavy metal, the myth has always been maintained that the entire scene operates outside of all social and cultural norms. This ideal is paradigmatically expressed in the classic “Breaking the Law” by Judas Priest. Although this idea established itself as an important part of the metal scene's foundation of identity, to date there is no research that asks about the connection between legal reference, scene ethos and sound in heavy metal. In this pioneering study, cultural historian Peter Pichler examines how the local metal scene in Graz and Styria has been shaped by these aspects over the last 40 years. The author succeeds in proving that the emergence of the individual “sound” of Styrian metal can be explained by the cultural interplay of law, morals and sound.] |
||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Kohlhammer Verlag | Place of Publication | Stuttgart, Baden-Württemberg, Germany | Editor | |
| Language | German | Summary Language | Original Title | ||
| Series Editor | Series Title | Meta/Metal (Volume 3) | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 9783170434653 | Medium | Hardback | |
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2534 | ||
| Permanent link to this record | |||||
| Author | Garrett, Ryan D. | ||||
| Title |
Breaking the Shell: Masculinity in Rock and Metal Music in America, 1990-1995 | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Masculinty; History | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | Ohio University | Place of Publication | Athens | Editor | |
| Language | Summary Language | Original Title | |||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2459 | ||
| Permanent link to this record | |||||
| Author | Beach, James R.; Naron, Brian L.; Heaton, Brian J. | ||||
| Title |
Building An Empire: The Story of Queensrÿche | Type | Book Whole | ||
| Year | Publication | Abbreviated Journal | |||
| Volume | Issue | Pages | |||
| Keywords | |||||
| Abstract | “Building An Empire: The Story of Queensrÿche examines how the five original members of the band came together in the eastern suburbs of Seattle to create some of the most influential heavy metal albums of the 1980s, including the conceptual masterpiece Operation: Mindcrime. Discover how the band weathered the loss of key members, a changing industry at the turn of the century, a bitter lawsuit and numerous obstacles to continue a career that has spanned four decades and counting... Written by James R. Beach, with Brian L. Naron and Brian J. Heaton, Building An Empire: The Story of Queensrÿche examines how the band evolved from album to album, weaving interviews with the band members, managers, producers, peers, family and friends to help tell this honest, riveting tale of how five guys from Seattle's Eastside overcame the odds to become one of the most respected bands in hard rock and heavy metal. Paul Suter, the acclaimed writer from Kerrang! who broke the story on Queensrÿche in early 1983, penned the book's Foreword. Includes hundreds of rare photos and images throughout the band's career.” (source: https://nwmetalworxmusic.com/) |
||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | NW Metalworx Music | Place of Publication | Puyallup, WA | Editor | |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | Hardback | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2527 | ||
| Permanent link to this record | |||||
| Author | Yépez Aguirre, Jimmy Renzo | ||||
| Title |
Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 | Type | Journal Article | ||
| Year | 2017 | Publication | Anales Científicos | Abbreviated Journal | |
| Volume | 78 | Issue | 2 | Pages | 80-91 |
| Keywords | Individualization; commodification; fetishization; rock; metal; habitus; field; consumer Society | ||||
| Abstract | This study was aimed at identifying the benefits that have the qualitative method of grounded theory on the different aspects of feeling and thinking of the metalheads of Lima in order to analyze their gregarious relations in society. In this regard the following objectives: Understand that reproduces the individualization of social life, cultural commodification and fetishization of music, the feelings and thoughts of the metalheads of Lima. Use of depth interview which was applied to a nonrandom sample of 23 youth and adults metalheads (14 to 48 years as age ranges or limits). The Rockandad and Metaldad, which serve to give the interpretation to the issues raised: two conceptual categories identified. And finally a conceptual theoretical instrument called pyramidal dialectic was prepared to give way to explaining the research. | ||||
| Address | https://revistas.lamolina.edu.pe/index.php/acu/issue/view/70 | ||||
| Corporate Author | Thesis | ||||
| Publisher | Universidad Nacional Agraria La Molina, Lima - Perú | Place of Publication | Lima, República del Perú | Editor | |
| Language | Spanish | Summary Language | English | Original Title | |
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | Print: 0255-0407 / Online: 2519-7398 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2283 | ||
| Permanent link to this record | |||||
| Author | Tarazona Elvino, Luis Manuel | ||||
| Title |
Características de la Identidad de Jóvenes que se reúnen entorno a la música Rock – Metal en la ciudad de Huancayo | Type | Book Whole | ||
| Year | 2009 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 150 | ||
| Keywords | Música Rock-Metal | ||||
| Abstract | En el Perú y los países de América Latina, se suceden los testimonios de búsqueda de una sociedad más inclusiva y democrática, sin embargo persisten problemas estructurales como el creciente deterioro económico, la corrupción en las esferas de poder, el descrédito de las instituciones políticas, el debilitamiento de los mecanismos de integración tradicional (la comunidad), generando una problemática compleja en el cual parecen ganar terreno la conformidad y la desesperanza. En este contexto, surgen formas organizativas y de expresión juveniles; una de estas es el espacio donde se congregan los jóvenes alrededor de la música rock metal, operando como punto de referencia, expresión y construcción de identidades. Sin embargo, no existe mucha información acerca de esta música y mucho menos tesis que hablen acerca de los jóvenes que lo practican. ' Por esta razón, el presente estudio está destinado a conocer como se convocan, organizan y construyen su identidad los jóvenes que se reúnen en torno a la música rock metal en la Ciudad de Huancayo. Para efecto de esta tesis, se recoge la información desde la observación participante y entrevistas a jóvenes varones y mujeres cultores de la música rock metal, así también a organizadores de conciertos y propietarios de discotiendas de música, salas de ensayo y centros donde realizan tatuajes. | ||||
| Address | |||||
| Corporate Author | Thesis | Bachelor's thesis | |||
| Publisher | Universidad Nacional del Centro del Perú | Place of Publication | Huancayo, República del Perú | Editor | |
| Language | Spanish | Summary Language | Spanish | Original Title | |
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Licenciado en Antropología | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2285 | ||
| Permanent link to this record | |||||
| Author | Muller, Fabien | ||||
| Title |
Cemetery meditations and Morbid Visions: death metal as a spiritual exercise | Type | Journal Article | ||
| Year | 2024 | Publication | Culture and Religion An Interdisciplinary Journal | Abbreviated Journal | |
| Volume | Latest Articles | Issue | Pages | ||
| Keywords | Death metal; Religion; Buddism; Meditation | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Place of Publication | Editor | |||
| Language | Summary Language | Original Title | |||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2591 | ||
| Permanent link to this record | |||||
| Author | Calvo, Manuela Belén | ||||
| Title |
Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases | Type | Book Chapter | ||
| Year | 2023 | Publication | Defiant Sounds. Heavy Metal Music in the Global South | Abbreviated Journal | |
| Volume | Issue | Pages | 163-186 | ||
| Keywords | Argentina; Gender; Coloniality | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Lexington Books | Place of Publication | London | Editor | Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
| Language | Summary Language | Original Title | |||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2429 | ||
| Permanent link to this record | |||||
| Author | Calvo, Manuela Belén; García Castiblanco, Norma; Núñez, María de la Luz; Padilla, Ludmila Mailén; Pascuchelli, María Natalia; Ruiz, Verónica; Saavedra Rodríguez, Milen Graciela; Vainscheinker, Erica | ||||
| Title |
Consonancias del cuidado. Hacia un protocolo contra las violencias por motivos de género en las experiencias del metal | Type | Journal Article | ||
| Year | 2022 | Publication | Trans: Revista Transcultural de Música | Abbreviated Journal | |
| Volume | 26 | Issue | Pages | 1-16 | |
| Keywords | Metal, violencia, género, protocolo, Nuestra Abya Yala, Nuestra Afroamérica; Gender; Violence; Metal music, GBV, protocol, Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM) | ||||
| Abstract | El objetivo de este artículo es narrar la experiencia de construcción de un protocolo contra violencias por motivos de género en las prácticas del metal dentro de la región de Nuestra Abya Yala y Nuestra Afroamérica, por parte de la Comisión de Género de la Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM). Para ello se dará cuenta de las diferentes etapas que componen este proceso, las cuales van desde las necesidades iniciales surgidas a partir de diversos ataques de violencia epistémica hacia integrantes de la REEHM, hasta la elaboración colectiva mediante métodos colaborativos. Esto implica la lectura, la reflexión y la escucha cuidada y grupal en la Primera Ronda de Brujxs. Hacia el final se comentan algunas conclusiones y proyecciones futuras vinculadas al metal y las problemáticas de género. [The aim of this article is to recount the experience of building a protocol against gender-based violence (GBV) within metal music practices in the region of Nuestra Afroamerica, by the Gender Commission of the Heavy Metal Studies and Experiences Network (REEHM). The different stages that make up this process will be described, ranging from the initial needs arising from various attacks of epistemic violence against REEHM members, to the collective elaboration through collaborative methods. This involves group reading, reflection, and careful listening in the Primera Ronda de Brujxs (First Circle of Witches). Towards the end some conclusions and future projections related to metal and gender issues are discussed.] |
||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | SIBE: Sociedad de Etnomusicología | Place of Publication | Barcelona, España | Editor | |
| Language | español | Summary Language | English | Original Title | |
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | 1697-0101 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Open access: Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Spain license. | Approved | no | ||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2387 | ||
| Permanent link to this record | |||||
| Author | Yrivarren Valverde, Sara Dessiree | ||||
| Title |
Construcción de los discursos de feminidad en la escena metalera limeña: Caso de la banda Strogena | Type | Book Whole | ||
| Year | 2022 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Perú; Feminity; Strógena (band); Gender | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | Master's thesis | |||
| Publisher | Pontificia Universidad Católica del Perú | Place of Publication | Lima | Editor | |
| Language | Summary Language | Original Title | |||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2478 | ||
| Permanent link to this record | |||||
| Author | Mynett, Mark | ||||
| Title |
Contemporary Metal Music Production | Type | Book Whole | ||
| Year | 2013 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Music Production | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | University of Huddersfield | Place of Publication | Huddersfield | Editor | |
| Language | Summary Language | Original Title | |||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2580 | ||
| Permanent link to this record | |||||