|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Kosek, Jakub |
„Raise the Dead”. Transgatunkowe gry z żywiołem tanatycznym w działalności zespołu Hollywood Vampires [Raise the Dead”. Cross-genre games with the thanatic element in the activities of Hollywood Vampires activities of Hollywood Vampires] |
2022 |
Żywioły i ideologie w narracjach muzyki metalowej [Elements and ideologies in metal music narratives] |
|
57-76 |
|
|
Dawes, Laina |
“Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal |
2022 |
|
|
|
|
|
Kosek, Jakub |
“Acidofilia”: The Work of the Acid Drinkers in the Discursive Landscape of Metal Music Culture |
2022 |
Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura |
30 |
39-52 |
|
|
López Ramírez Gastón, José Ignacio |
[Des]integraciones latinoamericanistas y peruanismo [sub]global: La subalternidad académica del metal en el Perú |
2022 |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
1 |
18-19 |
|
|
Kosek, Jakub (ed) |
Żywioły i ideologie w narracjach muzyki metalowej [Elements and ideologies in metal music narratives] |
2022 |
|
|
|
|
|
Filho, Fábio ALexandre Tardelli; Barbosa, Rafaella Fraga; Rodrigues, Ketelyn Rocha; Lima, Anderson; Fiusa, Marcelo Henrique |
Zines e cultura underground: uma análise fanoniana pelo Prolecast |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
156-186 |
|
|
Hill, Rosemary Lucy |
When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music |
2022 |
Samples. Open Access Journal for Popular Music Studies |
20 |
197-210 |
|
|
Herbst, Jan-Peter; Mynett, Mark |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
2022 |
Popular Music and Society |
t.b.c. |
t.b.c. |
|
|
LeVine, Mark |
We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World |
2022 |
|
|
|
|
|
García Castiblanco, Norma; Cáceres Parra, Jórge |
Voces Resonantes Memoria y Resistencia. Metal en Colombia: Memorias de violencia y resistencia para la No Repetición. |
2022 |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
1 |
48-49 |
|