| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Fejes, János |
The Variety of Similarity: Hungarian High Literature, History, and Folklore in the Lyrics of Dalriada |
2022 |
Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura |
30 |
23-38 |
|
|
|
González-Martínez, Susana |
The didactic role of feminist art in metal music: Coven bands as a relational device for personal improvement and social justice |
2022 |
Metal Music Studies |
8 |
401-421 |
|
|
|
Thomas, Samuel |
The Devil's Party. Metal and Literature |
2022 |
The Routledge Companion to Music and Modern Literature |
|
406-415 |
|
|
|
Skeech, Michael |
The Biology of Heavy Metal. Evolutionary Links Between Science and Culture |
2022 |
|
|
|
|
|
|
Miranda Bonilla, Sergio |
TENSIONES NORTE-SUR EN LOS ESTUDIOS DE METAL. DISCURSOS COMO FORMA DE INTERVENCIÓN, VISIBILIZACIÓN Y DENUNCIA A PARTIR DE UNA GUERRA INTERMINABLE |
2022 |
Metal de Habla Hispana |
1 |
105-107 |
|
|
|
Ortiz Cora, Laila Erendira |
SUJETOS EN EL METAL: SCARICACIOTTOLI Y GALICIA POBLET. ESCRITURAS DESDE EL LABERINTO DEL METAL HISPANO |
2022 |
Metal de Habla Hispana |
1 |
108-112 |
|
|
|
Hannan, CalderCalder |
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” |
2022 |
Music Theory Online |
28 |
s.p. |
|
|
|
Reithaug, Eirik Albrethsen |
Skald Av Satans Sol: An exploration of early Norwegian black metal through topic theory |
2022 |
|
|
|
|
|
|
Robertson, Wes |
Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene |
2022 |
Parergon |
39 |
79-104 |
|
|
|
Banchs, Edward |
Scream for Me Africa! Heavy Metal Identities in Post-Colonial Africa |
2022 |
|
|
|
|
