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Trafford, S., & Pluskowski, A. (2007). Antichrist superstars: the Vikings in hard rock and heavy metal. In D. W. Marshall (Ed.), Mass market Medieval: essays on the Middle Ages in popular culture (pp. 57–73). Jefferson: McFarland.
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Trafford, S. (2013). Blood, fire,, death: Bathory and the birth of viking metal. In M. Goodall (Ed.), Gathering of the tribe: music and heavy conscious creation (pp. 302–308). London: Headpress.
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Trafford, S. (2020). Viking metal. In S. C. Meyer, & K. Yri (Eds.), The Oxford handbook of music and medievalism (pp. 563–585). Oxford: Oxford University Press.
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Trafford, S. (2021). Nata vimpi curmi da: Dead Languages and Primordial Nationalisms in Folk Metal Music. In R. - L. Valijärvi, C. Doesburg, & A. DiGioia (Eds.), Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. (pp. 223–240). London: Emerald.
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Trafford, S. (2021). Amon Amarth Make Mead! Alcohol consumption, masculinity, and the modern Viking. In Tommaso di Carpegna Falconieri, Pierre Savy, & & Lila Yawn (Eds.), Middle Ages without borders: A conversation on Medievalism. Collection de l'École française de Rome. Italy: Publications de l’École française de Rome.
Abstract: “This paper explores and comments upon the way in which neo-Viking identities, masculinity and alcoholic consumption have become aligned and mutually reinforcing in popular culture, aided and abetted by consumer capitalism and the power of advertising.”
Since 2020, all volumes from the Collection of the French School of Rome and the Library of the French Schools of Athens and Rome are also freely available online on the OpenEdition Books website:
https://books.openedition.org /efr/95
https://books.openedition.org/efr/96
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