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Beckmayer, S. (2024). “Metal is Religion” – Heavy Metal und Liturgie. Popkulturelle Vermittlungsweisen gottesdienstlicher Elementeam Beispiel des Heavy Metal. Praktische Theologie, 59(1), 58–65.
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Welles, P. (2024). Heavy Metal als (Frauen-)Beruf und Bildungsprozess. Magazin erwachsenenbildung.at. Das Fachmedium für Forschung, Praxis und Diskurs, 51, 123–131.
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Kjellander Hellqvist, E. (2023). ”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom]. HumaNetten, 50, 76–91.
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Flores Delgado, M. A. (2019). Rebelión en la Guarida. El legado cultural del movimiento musical del metal en Mérida: Un aporte etnohistórico. Presente y Pasado – Revista de Historia, 47, 109–131.
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Korczyński, T. M. (2021). The Genesis of Unblack Metal and its Contemporary Reception. Cognitive Prospects. Journal of Modern Science, 46(1), 73–91.
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Hudson, S. S. (2022). Bang Your Head: Construing Beat Through Familiar Drum Patterns in Metal Music. Music Theory Spectrum, 44(1), s.p.
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Barski, K. S. (2023). Black metal jako kontynuacja romantyzmu? O figurze artysty i stosunku do natury jako korzeniach gatunku [Black metal as a continuation of romanticism? About the figure of the artist and the attitude to nature as the roots of the genre]. Świat i Słowo [World and Word], 41(2), 325–345.
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Mustamo, A. (2024). Symboleita, pahiksia ja rappiota: Kansallissosialismin ristiriitainen lumo suomalaisessa black metalissa [Symbols, villains and decadence: The contradictory enchantment of National Socialism in Finnish black metal]. KULTTUURINTUTKIMUS, 41(1), 23–40.
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Lucas, O. R. (2021). “Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band. Popular Music, 40(2), 263–280.
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Robertson, W. (2022). Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene. Parergon, 39(1), 79–104.
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