| Records |
| Author |
Kruk, Jessica; Robertson, Wesley C. |
| Title |
An annotated interview with Beastwars: Language, identity and place in New Zealand metal |
Type |
Journal Article |
| Year |
2023 |
Publication |
Perfect Beat |
Abbreviated Journal |
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Volume  |
22 |
Issue |
1 |
Pages |
s. p. |
| Keywords |
Interview; Beastwars (band); Sociolinguistics; Language; Identity; New Zealand |
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Edition |
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| ISSN |
1038-2909 |
ISBN |
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Medium |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2456 |
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| Author |
Silva, Melina Aparecida dos Santos; Polivanoz, Beatriz |
| Title |
“Mar de camisas pretas”: camisas de bandas como mediadoras de sentidos e experiências na cena do heavy metal |
Type |
Journal Article |
| Year |
2015 |
Publication |
Logos |
Abbreviated Journal |
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| Volume |
22 |
Issue |
2 |
Pages |
s. p. |
| Keywords |
T-shirts; Sociology; Appearance |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2474 |
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| Author |
Balíková, Nela |
| Title |
Zpráva z mezinárodní konference Metal and Religion [Report from the Metal and Religion International Conference] |
Type |
Journal Article |
| Year |
2023 |
Publication |
Sacra |
Abbreviated Journal |
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| Volume |
21 |
Issue |
1 |
Pages |
58-61 |
| Keywords |
Repor; Conference |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2542 |
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| Author |
Hill, Rosemary Lucy |
| Title |
When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music |
Type |
Journal Article |
| Year |
2022 |
Publication |
Samples. Open Access Journal for Popular Music Studies |
Abbreviated Journal |
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| Volume |
20 |
Issue |
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Pages |
197-210 |
| Keywords |
Methodology |
| Abstract |
This article is a slightly updated version of the article of the same name published in Metal Music Studies 7 (2), 197-210 (2021), with permission from the editor. |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2348 |
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| Author |
Weber, Joe |
| Title |
Ronnie James Dio: the man on the silver mountain |
Type |
Journal Article |
| Year |
2024 |
Publication |
Journal of Maps |
Abbreviated Journal |
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| Volume |
20 |
Issue |
1 |
Pages |
2349164 |
| Keywords |
Ronnie James Dio (artist); Concerts |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2567 |
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| Author |
Castillo Bernal, Stephen |
| Title |
EL CUERPO HUMANO COMO INSTRUMENTO SUBCULTURAL DE LOS INICIOS DEL HEAVY METAL AL SIMBOLISMO RITUAL DEL BLACK METAL. |
Type |
Journal Article |
| Year |
2007 |
Publication |
Fuentes Humanísticas |
Abbreviated Journal |
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| Volume |
19 |
Issue |
34 |
Pages |
43-57 |
| Keywords |
sociocultural, instrumento, heavy metal, simbolismo, black metal, Alice Cooper; instrument, symbolism |
| Abstract |
En el caso que aquí nos atañe, las manifestaciones corpóreas cargan un lenguajesimbólico que puede ser leído por los integrantes de una subcultura y, en consecuencia, puede ser diseccionado a partir de un ejercicio interpretativo. Decimos lo anterior en función de que la misma cultura, siguiendo a Millán (2001: 23), puede considerarse como un sistema de lenguaje articulado. Sobra decir que las significaciones corporales son una construcción social, por lo que su edificación varía de acuerdo con los ritmos históricos de aparición del saber y las tradiciones singulares de la cultura (Fournier y Jiménez, en prensa; Foucault, 1999). |
| Address |
Prolongación Canal de Miramontes 3855, colonia Ex-Hacienda de San Juan de Dios, delegación Tlalpan, c.p. 14387, Ciudad de México, y Av. San Pablo 180, colonia Reynosa Tamaulipas, delegación Azcapotzalco, c.p. 02200, Ciudad de México • Tel. 5318-9125 y 5318-9441 |
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| Publisher |
la Universidad Autónoma Metropolitana a través de la Unidad Azcapotzalco, División de Ciencias Sociales y Humanidades, Departamento de Humanidades. |
Place of Publication |
Ciudad de México |
Editor |
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| Language |
español |
Summary Language |
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Original Title |
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Series Title |
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Abbreviated Series Title |
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Series Issue |
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Edition |
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| ISSN |
eISSN 2007-5618, ISSN 0188-8900 |
ISBN |
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PDF |
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| Notes |
Open access: Licencia Creative Commons Atribución 4.0 Internacional. IMÁGENES CORPORALES Y CULTURA DE MASAS (Enero-Junio) |
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no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2403 |
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| Author |
Koplow Villavicencio, Jan |
| Title |
More than Screams and Distortion: Chilean Metal Against the Ecological Crises and the Extractivist Economic Model |
Type |
Journal Article |
| Year |
2023 |
Publication |
SEM Student News |
Abbreviated Journal |
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| Volume |
19 |
Issue |
1 |
Pages |
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| Keywords |
Ecometal; Ecology; Chile; Environmentalism; Decolonialism |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2547 |
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| Author |
Yepes Aguirre, Jimmy Renzo |
| Title |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
Type |
Journal Article |
| Year |
2013 |
Publication |
Investigaciones Sociales |
Abbreviated Journal |
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| Volume |
17 |
Issue |
30 |
Pages |
279-290 |
| Keywords |
Dialectica; politica cultural neoliberal; subculturas; musica heavy metal; Sociology; Latin America; Non-Western scenes; Perú |
| Abstract |
Este estudio estuvo orientado a identificar las bondades que tienen el método hegeliano en los diferentes aspectos de la política y la música con la finalidad de analizar su relación. En tal sentido se planteó los siguientes objetivos: determinar la relación entre la política cultural neoliberal2 y la música heavy metal3, analizar su desarrollo y sus características. Se hizo uso de la encuesta y la entrevista los que se aplicaron a una muestra no probabilística de 30 jóvenes (de 18 a 35 años de edad) metaleros de Huánuco. Se identificó tres generaciones: 1era. Generación de Metaleros 1990-1996 (tesis); 2da. Generación de Metaleros 1997-2003 (antítesis); 3era. Generación de Metaleros 2004-2010 (síntesis). Se evidencia la existencia de una contradicción dialéctica entre la música heavy metal (la cual forma parte de una subcultura) y la cultura dominante en el mundo (en este caso la política cultural neoliberal), ambas evidencian una relación directa no solamente en el aspecto cronológico, sino en el plano ideológico. |
| Address |
https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/issue/view/686 |
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Thesis |
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| Publisher |
Universidad Nacional Mayor de San Marcos, Facultad de Ciencias Sociales, Instituto de Investigaciones Histórico Sociales |
Place of Publication |
Lima, República del Perú |
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Print: 1560-9073 / Online: 1818-4758 |
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no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2284 |
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| Author |
Yildirim, Yavuz |
| Title |
Heavy metal in Turkey: Tracking the tensions of democratization in the 1990s |
Type |
Journal Article |
| Year |
2023 |
Publication |
Sociology Compass |
Abbreviated Journal |
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| Volume |
17 |
Issue |
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Pages |
e13122 |
| Keywords |
Turkey; Democracy; Politics |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2538 |
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| Author |
Pichler, Peter |
| Title |
To the sources! On historical source criticism in metal studies |
Type |
Journal Article |
| Year |
2023 |
Publication |
Popular Music History |
Abbreviated Journal |
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| Volume |
15 |
Issue |
1 |
Pages |
54–77 |
| Keywords |
Metal Studies, History, Source Criticism, sonic knowledge, Styria, historical sources, metal scenes |
| Abstract |
Metal studies is usually considered to be a fundamentally interdisciplinary field of research. However, the disciplines that were included at its beginning (mostly sociology, cultural anthropology, musicology, and philosophy) are still theoretically dominant. As a consequence, several important research questions that do not reflect these disciplines’ epistemologies have remained unanswered to this day. To a great extent, this applies to historical research questions on metal scenes. In this respect, the author argues that metal studies could benefit from the expertise of history in general and source criticism in particular. In order to develop this argument, necessary basic traits of contemporary historical source criticism are introduced. Then, the author proceeds by individually discussing three fundamental types of sources that are structurally tied to the historical long-term processes in metal scenes: concert flyers, album covers and band T-shirts. Research into the Styrian metal scene in south-eastern Austria provides examples. To conclude, it is posited that starting from a semiotic concept of source criticism and then adapting such a concept for the specific purposes of metal studies is necessary to nurture historical awareness and the accuracy of relevant research. |
| Address |
15 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom |
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Thesis |
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| Publisher |
Equinox Publishing Ltd |
Place of Publication |
United Kingdom |
Editor |
Catherine Strong; Shane Homan |
| Language |
English |
Summary Language |
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Edition |
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| ISSN |
1740-7133 (Print); 1743-1646 (Online) |
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Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2469 |
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