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Balíková, Nela |
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Title |
Zpráva z mezinárodní konference Metal and Religion [Report from the Metal and Religion International Conference] |
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2023 |
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Sacra |
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21 |
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1 |
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58-61 |
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Repor; Conference |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2542 |
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Author |
Hill, Rosemary Lucy |
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Title |
When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music |
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Year |
2022 |
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Samples. Open Access Journal for Popular Music Studies |
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20 |
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197-210 |
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Methodology |
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This article is a slightly updated version of the article of the same name published in Metal Music Studies 7 (2), 197-210 (2021), with permission from the editor. |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2348 |
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Author |
Weber, Joe |
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Title |
Ronnie James Dio: the man on the silver mountain |
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Year |
2024 |
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Journal of Maps |
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20 |
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1 |
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2349164 |
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Ronnie James Dio (artist); Concerts |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2567 |
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Author |
Castillo Bernal, Stephen |
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Title |
EL CUERPO HUMANO COMO INSTRUMENTO SUBCULTURAL DE LOS INICIOS DEL HEAVY METAL AL SIMBOLISMO RITUAL DEL BLACK METAL. |
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Year |
2007 |
Publication |
Fuentes Humanísticas |
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19 |
Issue |
34 |
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43-57 |
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sociocultural, instrumento, heavy metal, simbolismo, black metal, Alice Cooper; instrument, symbolism |
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En el caso que aquí nos atañe, las manifestaciones corpóreas cargan un lenguajesimbólico que puede ser leído por los integrantes de una subcultura y, en consecuencia, puede ser diseccionado a partir de un ejercicio interpretativo. Decimos lo anterior en función de que la misma cultura, siguiendo a Millán (2001: 23), puede considerarse como un sistema de lenguaje articulado. Sobra decir que las significaciones corporales son una construcción social, por lo que su edificación varía de acuerdo con los ritmos históricos de aparición del saber y las tradiciones singulares de la cultura (Fournier y Jiménez, en prensa; Foucault, 1999). |
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Prolongación Canal de Miramontes 3855, colonia Ex-Hacienda de San Juan de Dios, delegación Tlalpan, c.p. 14387, Ciudad de México, y Av. San Pablo 180, colonia Reynosa Tamaulipas, delegación Azcapotzalco, c.p. 02200, Ciudad de México • Tel. 5318-9125 y 5318-9441 |
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la Universidad Autónoma Metropolitana a través de la Unidad Azcapotzalco, División de Ciencias Sociales y Humanidades, Departamento de Humanidades. |
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Ciudad de México |
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español |
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eISSN 2007-5618, ISSN 0188-8900 |
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Open access: Licencia Creative Commons Atribución 4.0 Internacional. IMÁGENES CORPORALES Y CULTURA DE MASAS (Enero-Junio) |
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INTech @ brianhickam2019 @ |
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2403 |
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Koplow Villavicencio, Jan |
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Title |
More than Screams and Distortion: Chilean Metal Against the Ecological Crises and the Extractivist Economic Model |
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2023 |
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SEM Student News |
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19 |
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1 |
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Ecometal; Ecology; Chile; Environmentalism; Decolonialism |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2547 |
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Author |
Coggins, Owen |
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Title |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
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2015 |
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Journal of Implicit Religion |
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18 |
Issue |
2 |
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209-231 |
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Religion; Spirituality; Mysticism; Drone Metal |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2093 |
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Author |
Yepes Aguirre, Jimmy Renzo |
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Title |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
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Year |
2013 |
Publication |
Investigaciones Sociales |
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17 |
Issue |
30 |
Pages |
279-290 |
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Keywords |
Dialectica; politica cultural neoliberal; subculturas; musica heavy metal; Sociology; Latin America; Non-Western scenes; Perú |
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Abstract |
Este estudio estuvo orientado a identificar las bondades que tienen el método hegeliano en los diferentes aspectos de la política y la música con la finalidad de analizar su relación. En tal sentido se planteó los siguientes objetivos: determinar la relación entre la política cultural neoliberal2 y la música heavy metal3, analizar su desarrollo y sus características. Se hizo uso de la encuesta y la entrevista los que se aplicaron a una muestra no probabilística de 30 jóvenes (de 18 a 35 años de edad) metaleros de Huánuco. Se identificó tres generaciones: 1era. Generación de Metaleros 1990-1996 (tesis); 2da. Generación de Metaleros 1997-2003 (antítesis); 3era. Generación de Metaleros 2004-2010 (síntesis). Se evidencia la existencia de una contradicción dialéctica entre la música heavy metal (la cual forma parte de una subcultura) y la cultura dominante en el mundo (en este caso la política cultural neoliberal), ambas evidencian una relación directa no solamente en el aspecto cronológico, sino en el plano ideológico. |
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https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/issue/view/686 |
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Universidad Nacional Mayor de San Marcos, Facultad de Ciencias Sociales, Instituto de Investigaciones Histórico Sociales |
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Lima, República del Perú |
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Print: 1560-9073 / Online: 1818-4758 |
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INTech @ brianhickam2019 @ |
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2284 |
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Author |
Yildirim, Yavuz |
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Title |
Heavy metal in Turkey: Tracking the tensions of democratization in the 1990s |
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Year |
2023 |
Publication |
Sociology Compass |
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17 |
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e13122 |
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Turkey; Democracy; Politics |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2538 |
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Author |
Coggins, Owen |
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Title |
Citation and Recitation in Mystical Scholarship and Om’s Drone Metal |
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2014 |
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Diskus, Journal of the British Association for the Study of Religion |
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16 |
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1 |
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30-47 |
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Om (band); Drone Metal; Mysticism |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2095 |
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Author |
Pichler, Peter |
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Title |
To the sources! On historical source criticism in metal studies |
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Year |
2023 |
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Popular Music History |
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15 |
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1 |
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54–77 |
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Metal Studies, History, Source Criticism, sonic knowledge, Styria, historical sources, metal scenes |
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Metal studies is usually considered to be a fundamentally interdisciplinary field of research. However, the disciplines that were included at its beginning (mostly sociology, cultural anthropology, musicology, and philosophy) are still theoretically dominant. As a consequence, several important research questions that do not reflect these disciplines’ epistemologies have remained unanswered to this day. To a great extent, this applies to historical research questions on metal scenes. In this respect, the author argues that metal studies could benefit from the expertise of history in general and source criticism in particular. In order to develop this argument, necessary basic traits of contemporary historical source criticism are introduced. Then, the author proceeds by individually discussing three fundamental types of sources that are structurally tied to the historical long-term processes in metal scenes: concert flyers, album covers and band T-shirts. Research into the Styrian metal scene in south-eastern Austria provides examples. To conclude, it is posited that starting from a semiotic concept of source criticism and then adapting such a concept for the specific purposes of metal studies is necessary to nurture historical awareness and the accuracy of relevant research. |
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15 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom |
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Equinox Publishing Ltd |
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United Kingdom |
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Catherine Strong; Shane Homan |
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English |
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1740-7133 (Print); 1743-1646 (Online) |
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INTech @ brianhickam2019 @ |
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2469 |
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