|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Varas-Díaz, Nelson |
El sujeto criminal sónico: heavy metal y el reto a la normativa social dominante |
2012 |
Registros criminológicos contemporáneos |
|
207-240 |
|
|
Piper, Jonathan |
Locating Experiential Richness in Doom Metal |
2013 |
|
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|
|
|
Doesburg, Charlotte |
The Adaptation and Appropriation of the “Kalevala” and Folk Poetry in Finnish Metal Music |
2021 |
|
|
|
|
|
Tontsch, Katharina |
Reign in Blood Beauty: Eine empirische Studie zum Schönheitsideal im Heavy Metal |
2021 |
|
|
|
|
|
Kosek, Jakub (ed) |
Żywioły i ideologie w narracjach muzyki metalowej [Elements and ideologies in metal music narratives] |
2022 |
|
|
|
|
|
Kosek, Jakub |
„Raise the Dead”. Transgatunkowe gry z żywiołem tanatycznym w działalności zespołu Hollywood Vampires [Raise the Dead”. Cross-genre games with the thanatic element in the activities of Hollywood Vampires activities of Hollywood Vampires] |
2022 |
Żywioły i ideologie w narracjach muzyki metalowej [Elements and ideologies in metal music narratives] |
|
57-76 |
|
|
Reithaug, Eirik Albrethsen |
Skald Av Satans Sol: An exploration of early Norwegian black metal through topic theory |
2022 |
|
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|
|
|
Hudcová, Lucie |
Metal – hudba, kultura, identita [Metal – music, culture, identity] |
2015 |
|
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|
|
|
Hann, Michael |
Denim and Leather: The Rise and Fall of the NWOBHM |
2022 |
|
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|
Juárez, Tony |
Mexican Underground Metal 1984-1996 |
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