| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Robertson, Wes |
Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene |
2022 |
Parergon |
39 |
79-104 |
| Olsen, Kirk N.; Terry, Josephine; Thompson, William Forde |
Psychosocial risks and benefits of exposure to heavy metal music with aggressive themes: Current theory and evidence |
2022 |
Current Psychology |
Online first |
|
| Cardwell, Thomas |
Heavy Metal Armour: A Visual Study of Battle Jackets |
2022 |
|
|
|
| Nenadalová, Jana; Menšíková, Tereza |
“Metal Studies in Central/Eastern Europe: 1st (online) Workshop” on Extreme Music and its Academic Studies |
2022 |
Religio: Revue pro religionistiku |
30 |
77-80 |
| Neplokh, Vassili |
Metal som filmmusik i actionkomedi [Metal as Film Music in Action Comedy] |
2022 |
|
|
|
| Skeech, Michael |
The Biology of Heavy Metal. Evolutionary Links Between Science and Culture |
2022 |
|
|
|
| Koplow Villavicencio, Jan |
Aproximación a la relación entre la escena metalera chilena y los pueblos originarios Mapuche, Selk’nam y Kawésqar |
2022 |
Contrapulso – Revista Latinoamericana De Estudios En Música Popular |
4 |
78-93 |
| Eckerström, Pasqualina |
Extreme heavy metal and blasphemy in Iran: the case of Confess |
2022 |
Contemporary Islam |
|
|
| Herbst, Jan-Peter; Mynett, Mark |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
2022 |
Popular Music and Society |
t.b.c. |
t.b.c. |
| Herbst, Jan-Peter; Mynett, Mark |
Toward a Systematic Understanding of “Heaviness” in Metal Music Production |
2022 |
Rock Music Studies |
t.b.c. |
|
