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Author |
Mynett, Mark |
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Title |
Contemporary Metal Music Production |
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2013 |
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Music Production |
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Ph.D. thesis |
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University of Huddersfield |
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Huddersfield |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2580 |
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Author |
Hill, Rosemary Lucy |
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Title |
Representations and Experiences of Women Hard Rock and Metal Fans in the Imaginary Community |
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2013 |
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critical discourse analysis; fans; feminism; groupies; hard rock; heavy metal; ideology; imaginary community; Kerrang!; music; semiotics; women |
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This thesis questions dominant representations of women hard rock and metal
fans, and contributes to the undeveloped area of scholarship on women’s
pleasure in music. I address the questions: how does the metal media represent women fans?; what is the impact of that representation?; and what can a consideration of women’s musical pleasure tell us? I work within the fields of popular music, subcultures, gender and metal studies and build upon feminist studies of rock music (e.g., Schippers 2002, Fast 1999 and Wise 1984).
The research sits alongside feminist work exploring the pleasures of metal (Overell 2010, Riches 2011), and Brown’s work on metal media (2007, 2009). A new framework, the imaginary community, allows a consideration of the gendered ideology of the genre and takes into account private modes of fandom. To establish the ideology I examined letters pages in a key hard rock and metal medium, Kerrang! magazine, between 2000-8.
Drawing on Barthes’ Mythologies (1957), I employed a semiotic analysis to expose the representation of women through myths. Using this representation as a comparative tool, I conducted interviews with women fans who liked bands featured in Kerrang!. I analysed the discourses mobilised in their responses to questions about their participation in communal and private activities (e.g. magazine reading, concert attendance); their interpretations of the groupie stereotype; and their preferences for particular bands. I argue that women fans are misrepresented as groupies and this impacts upon women’s ability to express their fandom. Considering women’s pleasure in the music draws out the ways in which women’s fandom challenges both the myth of the woman fan as groupie, and the reading of metal as a masculine genre. I conclude that exploring women’s fandom can provide fresh perspectives on hard rock and metal: we must be prepared to take women’s fandom seriously. (Source: PDF of PhD thesis) |
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Ph.D. thesis |
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University of York |
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York, England |
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English |
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EthosID: uk.bl.ethos.589184 |
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INTech @ brianhickam2019 @ |
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2605 |
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Author |
Coggins, Owen |
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Title |
Citation and Recitation in Mystical Scholarship and Om’s Drone Metal |
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2014 |
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Diskus, Journal of the British Association for the Study of Religion |
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16 |
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1 |
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30-47 |
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Om (band); Drone Metal; Mysticism |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2095 |
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Author |
Coggins, Owen |
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Title |
Nationalist Black Metal, Black Metal Nation |
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Book Chapter |
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Year |
2014 |
Publication |
Writing Difference: Literature, Identity and Nationalism |
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460-481 |
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Nationalism; Black Metal; NSBM |
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Atlantic |
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London |
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Ray, Girinda; Sarkar, Jaydeep; Bhattacharya, Anindya |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2100 |
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Author |
Johnson, Henry |
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Title |
Music-making in the faroes: The experience of music-making in the faroes and making metal faroese (book review) |
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2014 |
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Island Studies Journal |
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9 |
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1 |
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176-178 |
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Institute of Island Studies, University of Prince Edward Island |
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Canada |
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Open Access |
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INTech @ brianhickam2019 @ |
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2229 |
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Author |
Marjenin, Peter A. |
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Title |
The Metal Folk: The Impact of Music and Culture on Folk Metal and the Music of Korpiklaani |
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2014 |
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Korpiklaani (band); Nationalism; Folk Metal |
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Master's thesis |
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Kent State University |
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Kent |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2259 |
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Author |
Hofer, Dave |
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Title |
PERPETUAL CONVERSION: 30 Years and Counting in the Life of Metal Veteran Dan Lilker |
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2014 |
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Anthrax, Brutal Truth, Nuclear Assault, S.O.D. |
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Handshake Inc. |
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English |
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1634438000, 978-1634438001 |
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INTech @ brianhickam2019 @ |
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2270 |
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Author |
Riekki, Matti |
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Title |
Täältä Pohjoiseen: Sentencedin Tarina |
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2014 |
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262 |
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Sentenced, Death Metal, Melodic Death Metal, Gothic Metal, Finland |
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“Sekä puhumiseen että riemuitsemiseen pätee sama perussääntö: näitä tehdään vain kun on oikea tarve. Valittamiseen ja murehtimiseen riittää toki vähempikin.”Vuonna 1989 perustettu Sentenced oli suomalaisen raskaan rockin uranuurtaja. Melankoliasta voimaa puristanut yhtye vetosi muuallakin kuin Pohjolassa, ja sen levymyynti hipoo maailmanlaajuisesti miljoonaa. Kuusitoistavuotisen uransa aikana Sentenced teki lukuisia kiertueita Euroopassa ja Pohjois-Amerikassa. Vankka suosio Keski-Euroopassa teki yhtyeelle tutuksi muun muassa Berliinin ja Dortmundin klubit sekä festivaalit Saksan Rock Hardista Hollannin legendaariseen Dynamo Open Airiin. Euroopan laitoja yhtye kolusi aina Lontoon Astoria-klubilta Roomaan ja Osloon, joista jälkimmäisiä bändi muistaa kiertueuran pahoina paikkoina. Euroopan lisäksi lähinnä Yhdysvalloissa kiertänyt yhtye nousi viimeisellä ulkomaankiertueellaan vuonna 2005 lauteille myös Moskovassa ja Mexico Cityssä, missä mukana laulava yleisömassa sai keikkapaikan seinät tutisemaan ja lopettamispäätöksen tehneen bändin jäsenten silmäkulmat kostumaan.Pohjoispohjalaisten teinipoikien uhosta alkanut tarina on täynnä poskettomia käänteitä ja syvää tragiikkaa. Biisien synnyn salat, ikimuistoiset keikat ja kiertue-elämän alhot. Kuolemanvakavat kohtalot ja pohjoispohjalainen hirtehishuumori, saavutukset ja menetetyt mahdollisuudet. Raskaasti ryyppäävinä, mustiin pukeutuvina tuppisuina tunnetut miehet kertovat, mitä oli soittaa yhtyeessä nimeltä Sentenced. |
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Like Kustannus Oy |
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Finnish |
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INTech @ brianhickam2019 @ |
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2278 |
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Author |
McFerran, Katrina |
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Title |
Metal Made Me Who I Am: Seven Adult Men Reflect on Their Engagement with Metal Music During Adolescence |
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2014 |
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International Journal of Community Music |
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7 |
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2 |
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205-222 |
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Sociology |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2331 |
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Silva, Melina Aparecida dos Santos; Sá, Simone Pereira de |
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Duas pernas, um braço: a banda Katingation e sua apropriação do death metal no cenário pós-guerra civil angolano |
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2014 |
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Comunicação Mídia E Consumo |
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11 |
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31 |
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65-81 |
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Angola; Africa; Death metal; War |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2475 |
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