| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Skelchy, Russell P. |
Worshippers of the sugarcane fields: Agrarian politics, symbolic inversion and black metal in Indonesia |
2019 |
Metal Music Studies |
5 |
163-186 |
| Gibson, Dylan Lawrence |
Postmodernism in Lou Reed and Metallica’s collaborative album ”Lulu” : The subjective perception of ”highbrow” and ”lowbrow” |
2019 |
Metal Music Studies |
5 |
187-200 |
| Herbst, Jan-Peter |
The formation of the West German power metal scene and the question of a ‘Teutonic’ sound |
2019 |
Metal Music Studies |
5 |
201-223 |
| Norman, Joseph |
‘[…] tentacular invisible mother divine!’: (The) Weird (in) Metal as convergence of sonic extremities and literary margins |
2019 |
Metal Music Studies |
5 |
225-242 |
| Unger, Matthew P. |
Ode to a dying God: Debasement of Christian symbols in extreme metal |
2019 |
Metal Music Studies |
5 |
243-262 |
| Jocson-Singh, Joan |
Vigilante feminism as a form of musical protest in extreme metal music |
2019 |
Metal Music Studies |
5 |
263-273 |
| Kennedy, Lewis F.; Yavuz, M.Selim |
Metal and Musicology |
2019 |
Metal Music Studies |
5 |
293-296 |
| Mynett, Mark |
Defining contemporary metal music: Performance, sounds and practices |
2019 |
Metal Music Studies |
5 |
297-313 |
| Ribaldini, Paolo |
Terminology issues with the poïetic aspect of vocals in heavy metal studies: A suggestion for a multidisciplinary approach |
2019 |
Metal Music Studies |
5 |
315-335 |
| Gamble, Steven |
Breaking down the breakdown in twenty-first-century metal |
2019 |
Metal Music Studies |
5 |
337-354 |
