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Verne, Markus | ||||
| Title | Musikerfahrung und Kulturrelativismus: Heavy Metal in Madagaskar | Type | Book Chapter | ||
| Year | 2021 | Publication | Die Handlungsmacht ästhetischer Objekte | Abbreviated Journal | |
| Volume | Issue | Pages | 167-196 | ||
| Keywords | Non-Western Scenes; Africa; Madagascar | ||||
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| Publisher | De Gruyter | Place of Publication | Berlin | Editor | Schlitte, Annila; Verne, Markus; Wedekind, Gregor |
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| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2244 | ||
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| Author |
Verne, Markus | ||||
| Title | “A Highland Thing”: Heavy Metal and the Construction of Cultural Difference in Madagascar | Type | Journal Article | ||
| Year | 2017 | Publication | Abbreviated Journal | ||
| Volume | 4 | Issue | 1 | Pages | 58-77 |
| Keywords | Heavy Metal, Madagascar, ethnicity, national identity | ||||
| Abstract | “Around the mid-1980s, when Madagascar’s socialist “Second Republic” effectively came to an end, a small but significant heavy metal community evolved in the island’s capital, Antananarivo. While interest in this kind of music declined during the 1990s, echoing developments within global popular music, Malagasy metal never ceased to exist and, during the last ten years, enjoyed renewed popularity. This popularity has, however, always been restricted to Madagascar’s central highlands, which rendered Malagasy metal “a highland thing” in the eyes of both highland and coastal populations. It is because of this regionalized perception, I will argue in this article, that Malagasy heavy metal considerably contributes to the maintenance of a fundamental cultural divide that separates Madagascar’s highlands from its coastal populations, thereby undermining political struggles aiming at the creation of a shared national identity.” (SOURCE: Journal of World Popular Music website) |
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| Publisher | Equinox Publishing Ltd | Place of Publication | Editor | Simone Krüger Bridge; Sarah Baker; Raphaël Nowak | |
| Language | English | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 2052-4900 (print); 2052-4919 (online) | ISBN | Medium | ||
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| Notes | Author was at Johannes Gutenberg-Universität Mainz | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2766 | ||
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| Author |
Verne, Markus | ||||
| Title | Heavy Conditions: Power Metal in Madagascar | Type | Book Chapter | ||
| Year | 2012 | Publication | Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture | Abbreviated Journal | |
| Volume | Issue | Pages | 37-47 | ||
| Keywords | Power Metal; Non-Western scenes; Madagascar | ||||
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| Publisher | Inter-Disciplinary Press | Place of Publication | Oxford | Editor | Fellezs, Kevin; Brown, Andy R. |
| Language | en | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ verne_heavy_2012 | Serial | 700 | ||
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| Author |
Verne, Markus | ||||
| Title | Die Grenzen des Kontextualismus: Madagassischer Heavy Metal, ”satanische” Ästhetik und die ethnologische Erforschung populärer Musik | Type | Journal Article | ||
| Year | 2012 | Publication | Zeitschrift für Ethnologie | Abbreviated Journal | |
| Volume | 137 | Issue | 2 | Pages | 187-206 |
| Keywords | Satanism; Sociology; Non-Western scenes; Aesthetics; Madagascar | ||||
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| Language | German | Summary Language | Original Title | ||
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| ISSN | 0044-2666 | ISBN | Medium | ||
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| Notes | The Limits of contextualization. Malagasy Heavy Metal ”satanic” aesthetics, and the study of popular music | Approved | no | ||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ verne_grenzen_2012 | Serial | 861 | ||
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