| Records |
| Author |
Aquino Ruiz, Frankz Armas, Laura |
| Title |
Relación e interacción entre la música académica contemporánea y el Metal Extremo |
Type |
Book Whole |
| Year |
2021 |
Publication |
|
Abbreviated Journal |
|
| Volume |
|
Issue |
|
Pages |
|
| Keywords |
Music composition; Extreme metal; Contemporary classical music |
| Abstract |
|
| Address |
|
| Corporate Author |
|
Thesis |
Bachelor's thesis |
| Publisher |
Escuela Universitaria de Artes Totales |
Place of Publication |
Madrid |
Editor |
|
| Language |
|
Summary Language |
|
Original Title |
|
| Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
| Series Volume |
|
Series Issue |
|
Edition |
|
| ISSN |
|
ISBN |
|
Medium |
|
| Area |
|
Expedition |
|
Conference |
|
| Notes |
|
Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2147 |
| Permanent link to this record |
| |
|
| |
| Author |
Benefield, Adam J. |
| Title |
Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work |
Type |
Book Whole |
| Year |
2020 |
Publication |
|
Abbreviated Journal |
|
| Volume |
|
Issue |
|
Pages |
|
| Keywords |
Meshuggah (band); Music composition; Musicology |
| Abstract |
|
| Address |
|
| Corporate Author |
|
Thesis |
Master's thesis |
| Publisher |
Stephen F. Austin State University |
Place of Publication |
Nacogdoches |
Editor |
|
| Language |
|
Summary Language |
|
Original Title |
|
| Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
| Series Volume |
|
Series Issue |
|
Edition |
|
| ISSN |
|
ISBN |
|
Medium |
|
| Area |
|
Expedition |
|
Conference |
|
| Notes |
|
Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2582 |
| Permanent link to this record |
| |
|
| |
| Author |
Burns, Lori; Scotto, Ciro |
| Title |
Introduction: Appreciating, Understanding, and Interpreting Metal Music Composition |
Type |
Book Chapter |
| Year |
2025 |
Publication |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
Abbreviated Journal |
|
| Volume |
|
Issue |
|
Pages |
1-10 |
| Keywords |
Composition; Music Production; Edited volume introduction |
| Abstract |
|
| Address |
|
| Corporate Author |
|
Thesis |
|
| Publisher |
Routledge |
Place of Publication |
Abingdon; New York |
Editor |
|
| Language |
|
Summary Language |
|
Original Title |
|
| Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
| Series Volume |
|
Series Issue |
|
Edition |
|
| ISSN |
|
ISBN |
|
Medium |
|
| Area |
|
Expedition |
|
Conference |
|
| Notes |
|
Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2821 |
| Permanent link to this record |
| |
|
| |
| Author |
Burns, Lori; Scotto, Ciro (eds) |
| Title |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
Type |
Book Whole |
| Year |
2025 |
Publication |
|
Abbreviated Journal |
|
| Volume |
|
Issue |
|
Pages |
520 total pages |
| Keywords |
Composition; Music Production; Edited volume |
| Abstract |
|
| Address |
|
| Corporate Author |
|
Thesis |
|
| Publisher |
Routledge |
Place of Publication |
Abingdon; New York |
Editor |
Burns, Lori; Scotto, Ciro |
| Language |
|
Summary Language |
|
Original Title |
|
| Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
| Series Volume |
|
Series Issue |
|
Edition |
|
| ISSN |
|
ISBN |
|
Medium |
|
| Area |
|
Expedition |
|
Conference |
|
| Notes |
|
Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2820 |
| Permanent link to this record |
| |
|
| |
| Author |
Celikel, Fulya |
| Title |
Guitar Pro or DAW-based Software for Metal Composition |
Type |
Book Chapter |
| Year |
2025 |
Publication |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
Abbreviated Journal |
|
| Volume |
|
Issue |
|
Pages |
443-455 |
| Keywords |
Software; Composition |
| Abstract |
|
| Address |
|
| Corporate Author |
|
Thesis |
|
| Publisher |
Routledge |
Place of Publication |
Abingdon; New York |
Editor |
Burns, Lori; Scotto, Ciro |
| Language |
|
Summary Language |
|
Original Title |
|
| Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
| Series Volume |
|
Series Issue |
|
Edition |
|
| ISSN |
|
ISBN |
|
Medium |
|
| Area |
|
Expedition |
|
Conference |
|
| Notes |
|
Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2848 |
| Permanent link to this record |
| |
|
| |
| Author |
Chowenhill, Richard |
| Title |
Seeing the Invisible: New Approaches to the Analysis of Extreme Metal and an Original Composition, “raw[within](to self soothe)” for Electric Guitar, Bass, and Percussion |
Type |
Book Whole |
| Year |
2020 |
Publication |
|
Abbreviated Journal |
|
| Volume |
|
Issue |
|
Pages |
|
| Keywords |
Musicology; Extreme Metal; Composition |
| Abstract |
|
| Address |
|
| Corporate Author |
|
Thesis |
Ph.D. thesis |
| Publisher |
Brandeis University |
Place of Publication |
Waltham |
Editor |
|
| Language |
|
Summary Language |
|
Original Title |
|
| Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
| Series Volume |
|
Series Issue |
|
Edition |
|
| ISSN |
|
ISBN |
|
Medium |
|
| Area |
|
Expedition |
|
Conference |
|
| Notes |
|
Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2034 |
| Permanent link to this record |
| |
|
| |
| Author |
Faingold, Noam. |
| Title |
Portfolio of compositions and technical commentary |
Type |
Book Whole |
| Year |
2015 |
Publication |
|
Abbreviated Journal |
|
| Volume |
|
Issue |
|
Pages |
|
| Keywords |
Bass instruments; Cultural heritage; Heavy metal; Middle Eastern music; Musical composition; Musical narratives |
| Abstract |
The six pieces in this portfolio explore contemporary musical narratives as if approached from a traditional outlook. In these pieces many harmonic and rhythmic processes (modal, serial,‘post-serial’ and minimalist) that emerged in Post-War music, as well as their resulting forms or modes of continuity interact with a traditionally grounded, intuitive approach to 'thematicism'. Another important topic in this music is an engagement with certain formal elements and mannerisms of contemporary popular, rock and dance music, and the ethnic musical traditions of my cultural heritage. Writing for string instruments informed by the composer’s personal experience as a double bass performer is a central concern of the thesis. Knife in the Water (for violin and cello) explores elements of heavy metal rhythms, Middle Eastern incantations, and free and strict meter. Bonaparte Born to Party (for mixed quintet) builds on the jagged heavy metal and dance elements found in Knife in the Water, subjecting some of the harmonic structures of the latter to a fairly strict process of transformation while relying to a much greater extent!on repetition.
A Poem is a Burning City (for ten players) explores the possibility of creating a sort of'modality' by means of timbre as well as the 'transformation of sonority' itself as a means for delineating a binary form. While its harmonic language shares many aspects with the earlier pieces, here they are no longer the main concern of the music, which relies primarily on ‘colour', 'sonority' and extensive 'repetition' for the unfolding of a slowly evolving texture. In the string quintet Everything is Amazing and Nobody is Happy, the Suite for solo violin and the Lullaby for double bass and orchestra, the type of explorations of colour and! sonority incipient in A Poem is a Burning City are extended and combined with the developmental processes and clear thematic and! melodic/harmonic!materials that characterise the earlier pieces. |
| Address |
|
| Corporate Author |
|
Thesis |
Ph.D. thesis |
| Publisher |
University of London, King's College (United Kingdom) |
Place of Publication |
Ann Arbor |
Editor |
|
| Language |
|
Summary Language |
|
Original Title |
|
| Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
| Series Volume |
|
Series Issue |
|
Edition |
|
| ISSN |
|
ISBN |
|
Medium |
|
| Area |
|
Expedition |
|
Conference |
|
| Notes |
|
Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2227 |
| Permanent link to this record |
| |
|
| |
| Author |
Jameson, Benjamin Thomas |
| Title |
Negotiating the cross-cultural implications of the electric guitar in contemporary concert music |
Type |
Book Whole |
| Year |
2017 |
Publication |
|
Abbreviated Journal |
|
| Volume |
|
Issue |
|
Pages |
|
| Keywords |
Classical music; Electric guitar; Heavy metal; Electric instruments; Musical composition; Musical performance; Musical theory; Popular music |
| Abstract |
Despite its ubiquity in rock and popular music, use of the electric guitar has only become commonplace within ‘classical’ concert music in recent decades. This increased prominence is partly due to the expanded sonic possibilities that the instrument offers, but also reflects composers’ greater willingness to engage with popular music practices. Use of the electric guitar in concert music often involves some form of encounter between contemporary compositional approaches and popular forms of cultural expression, presenting creative possibilities and challenges to composers, performers, listeners and scholars alike. This research project investigates the cross-cultural implications of employing the electric guitar in concert music through theory, analysis and composition. Case studies of electric guitar works by Tristan Murail and Laurence Crane provide an opportunity to consider how popular music scholarship relating to the electric guitar might figure in analysis of concert music featuring the instrument. These analyses informed the composition of four new works within the included portfolio (provided as scores with accompanying audio/video documentation) that feature the electric guitar or draw upon its related musical idioms, with a specific focus on rock and heavy metal styles. |
| Address |
|
| Corporate Author |
|
Thesis |
Ph.D. thesis |
| Publisher |
University of Southampton (United Kingdom) |
Place of Publication |
Ann Arbor |
Editor |
|
| Language |
|
Summary Language |
|
Original Title |
|
| Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
| Series Volume |
|
Series Issue |
|
Edition |
|
| ISSN |
|
ISBN |
|
Medium |
|
| Area |
|
Expedition |
|
Conference |
|
| Notes |
|
Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2212 |
| Permanent link to this record |
| |
|
| |
| Author |
Kaban, Shvan |
| Title |
The Evolution of the Bass Guitar in Metal Music: Its Function in Performance and Compositional Structure |
Type |
Book Chapter |
| Year |
2025 |
Publication |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
Abbreviated Journal |
|
| Volume |
|
Issue |
|
Pages |
270-286 |
| Keywords |
Bass guitar; Composition |
| Abstract |
|
| Address |
|
| Corporate Author |
|
Thesis |
|
| Publisher |
Routledge |
Place of Publication |
Abingdon; New York |
Editor |
Burns, Lori; Scotto, Ciro |
| Language |
|
Summary Language |
|
Original Title |
|
| Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
| Series Volume |
|
Series Issue |
|
Edition |
|
| ISSN |
|
ISBN |
|
Medium |
|
| Area |
|
Expedition |
|
Conference |
|
| Notes |
|
Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2837 |
| Permanent link to this record |
| |
|
| |
| Author |
Lilja, Esa |
| Title |
Perspectives on Harmony in Early Heavy Metal: Chords, Modes, Functions, and Texture |
Type |
Book Chapter |
| Year |
2025 |
Publication |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
Abbreviated Journal |
|
| Volume |
|
Issue |
|
Pages |
13-36 |
| Keywords |
Harmony; Heavy Metal (genre); Composition |
| Abstract |
|
| Address |
|
| Corporate Author |
|
Thesis |
|
| Publisher |
Routledge |
Place of Publication |
Abingdon; New York |
Editor |
Burns, Lori; Scotto, Ciro |
| Language |
|
Summary Language |
|
Original Title |
|
| Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
| Series Volume |
|
Series Issue |
|
Edition |
|
| ISSN |
|
ISBN |
|
Medium |
|
| Area |
|
Expedition |
|
Conference |
|
| Notes |
|
Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2822 |
| Permanent link to this record |
