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| Author | Daszewska, Anna | ||||
| Title | Biblical language in the songs of the soul metal band Hunter | Type | Journal Article | ||
| Year | 2023 | Publication | Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura | Abbreviated Journal | |
| Volume | 15 | Issue | 4 | Pages | 59-73 |
| Keywords | Hunter (band), biblical language, soul metal, Hunter (zespół), język biblijny | ||||
| Abstract | “This research paper is a presentation of the biblical language used in the songs of the soul metal band Hunter. It consists of six main elements: definitions of metal music, biblical language, and frequency research; an introduction to the band Hunter; a description of the conducted studies with the use of the frequency method and content analysis; and a conclusion. Academic references from sociology and linguistics are used, along with 93 Hunter songs and 15 interviews with the band’s leader. The article is accompanied by an introduction, bibliography, and summary.” (SOURCE: https://studiadecultura.uken.krakow.pl/article/view/10970) |
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| Publisher | Uniwersytet Komisji Edukacji Narodowej w Krakowie [University of the National Education Commission in Krakow] | Place of Publication | Kraków, Republic of Poland | Editor | Kosek, Jakub; Mądro, Andrzej |
| Language | Polish | Summary Language | English | Original Title | |
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| Series Volume | Series Issue | Edition | |||
| ISSN | 2083-7275 (print), 2391-4432 (online) | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Special issue: Languages, genres and artistic spaces in metal music culture | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2784 | ||
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| Author | Helden, Imke von | ||||
| Title | Større enn tid, tyngre enn natt – The Interplay of Language and Cultural Identity in the Lyrics of Norwegian Metal Bands | Type | Book Chapter | ||
| Year | 2021 | Publication | Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. | Abbreviated Journal | |
| Volume | Issue | Pages | 49-59 | ||
| Keywords | Norway; Language; Identity | ||||
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| Publisher | Emerald | Place of Publication | London | Editor | Valijärvi, Riitta-Liisa; Doesburg, Charlotte; DiGioia, Amanda |
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| ISSN | ISBN | 978-1-83909-949-6 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ valijarvi_storre_2021 | Serial | 1932 | ||
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| Author | Kahn, Lily | ||||
| Title | Yiddish Metal as a Manifestation of Postvernacularity | Type | Book Chapter | ||
| Year | 2021 | Publication | Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. | Abbreviated Journal | |
| Volume | Issue | Pages | 9-26 | ||
| Keywords | Language; Lyrics; Identity; Yiddish | ||||
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| Publisher | Emerald | Place of Publication | London | Editor | Valijärvi, Riitta-Liisa; Doesburg, Charlotte; DiGioia, Amanda |
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| ISSN | ISBN | 978-1-83909-949-6 | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ valijarvi_yiddish_2021 | Serial | 1930 | ||
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| Author | Kirner-Ludwig, Monika; Wohlfarth, Florian | ||||
| Title | METALinguistics: Face-threatening taboos, conceptual offensiveness and discursive transgression in extreme metal | Type | Journal Article | ||
| Year | 2018 | Publication | Metal Music Studies | Abbreviated Journal | |
| Volume | 4 | Issue | 3 | Pages | 403-432 |
| Keywords | Language; Transgression; Extreme Metal | ||||
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| Language | en | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 2052-3998 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ kirner-ludwig_metalinguistics_2018 | Serial | 602 | ||
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| Author | Kruk, Jess; Robertson, Wesley C. | ||||
| Title | Peripheral Linguistic Brutality: Metal Languaging in the Asia Pacific | Type | Book Whole | ||
| Year | 2025 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 288 | ||
| Keywords | Linguistics; sociolinguistics, Asia Pacific, music scenes; “metal language”; subcultures; global language; new identities; lyricists; Australia; Indonesia; Japan; Taiwan | ||||
| Abstract | << Peripheral Linguistic Brutality is a sociolinguistic investigation into the production of “metalness” through language in the Asia Pacific. Focusing on the ways local music scenes adopt, reject, and modify linguistic ideologies, Jess Kruk and Wesley Robertson (hosts of the podcast Lingua Brutallica) examine how translocal participation in metal settings shapes how and why specific language forms are used to construct “metal language.” Although much research has been done on language flows and use in global subcultures, their volume intervenes in two key ways. First, most prior work has focused on hip-hop, which unlike metal has an established “origin” dialect, namely AAVE (African American Vernacular English), linked to concepts of authenticity in the scene. Secondly, writing on global language flows has centered around what happens when a language, mainly English, enters a new space or context—not on how individuals employ imported forms and reimagine already extant linguistic resources as indexes, or markers, of new identities. Through interviews with practicing metal lyricists from Australia, Indonesia, Japan, and Taiwan, Peripheral Linguistic Brutality therefore fills gaps in the knowledge of language’s role in translocal subcultures. Specifically, it sheds new light on how global subcultures spawn new local beliefs about the meaning and purpose of language forms, the sociolinguistic conflicts that can arise and influence language use when a scene enters a new locale, and metal itself as a global practice. >> Source: https://uhpress.hawaii.edu |
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| Publisher | University of Hawaii Press | Place of Publication | Honolulu, Hawaii | Editor | |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Asia Pop! | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 9798880700622; 9798880700639 | Medium | Hardback | |
| Area | Expedition | Conference | |||
| Notes | 9 b&w illustrations | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2688 | ||
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| Author | Kruk, Jessica; Robertson, Wesley C. | ||||
| Title | An annotated interview with Beastwars: Language, identity and place in New Zealand metal | Type | Journal Article | ||
| Year | 2023 | Publication | Perfect Beat | Abbreviated Journal | |
| Volume | 22 | Issue | 1 | Pages | s. p. |
| Keywords | Interview; Beastwars (band); Sociolinguistics; Language; Identity; New Zealand | ||||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 1038-2909 | ISBN | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2456 | ||
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| Author | Lilja, Esa | ||||
| Title | The Tonal Language of Deep Purple Mk2: Riffs, Modes, Chords, and Progressions | Type | Book Chapter | ||
| Year | 2026 | Publication | Who Do We Think They Are? Deep Purple and Metal Studies | Abbreviated Journal | |
| Volume | Issue | Pages | 159-188 | ||
| Keywords | Tonal language; Legacy; Deep Purple (band) | ||||
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| Publisher | Equinox Publishing | Place of Publication | Sheffield | Editor | Brown, Andy R. |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 3004 | ||
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| Author | Lucas, Olivia R. | ||||
| Title | “Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band | Type | Journal Article | ||
| Year | 2021 | Publication | Popular Music | Abbreviated Journal | |
| Volume | 40 | Issue | 2 | Pages | 263-280 |
| Keywords | Alien Weaponry (band); Maori metal; Language; Identity; Nationhood | ||||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 0261-1430 | ISBN | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2386 | ||
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| Author | Ortiz Cora, Laila Erendira | ||||
| Title | SUJETOS EN EL METAL: SCARICACIOTTOLI Y GALICIA POBLET. ESCRITURAS DESDE EL LABERINTO DEL METAL HISPANO | Type | Journal Article | ||
| Year | 2022 | Publication | Metal de Habla Hispana | Abbreviated Journal | |
| Volume | 1 | Issue | Pages | 108-112 | |
| Keywords | Metal Studies; Spanish language | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2510 | ||
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| Author | Pack, Christian | ||||
| Title | Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America | Type | Book Whole | ||
| Year | 2018 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 233 | ||
| Keywords | Communication and the arts; Culture; El Salvador; Heavy metal; Humor; International law; Language, Latin America; Literature and linguistics; Obscenities; Philosophy; Politics; Social sciences; Spanish | ||||
| Abstract | Heavy Metal in El Salvador has been a driving force of the underground culture since the Civil War in the 1980s. Over time, it has grown into a large movement that encompasses musicians, producers, promoters, media outlets and the international exchange of music, ideas and live shows. As a music based around discontent with society at large, Heavy Metal attempts to question the status quo through an intellectual exploration of taboo subjects and the presentation of controversial live shows. As an international discourse, Heavy Metal speaks to ideas of both socio-political and individual power based around a Philosophy of Life that exalts personal freedoms and personal responsibility to oneself and their society. As a community, it represents a ‘rage’ group, as defined by Peter Sloterdijk, that questions Western epistemologies and the doctrines of Christian Philosophy. This is done in different ways, by different genres, but at the heart is the changing of macro- (international) discourses into micro- (local) discourses that focus on those issues important to the geographic specificity of the region. In the case of Black Metal, born in Norway, it is interpreted in El Salvador through the similarities between the doctrines of Hitler and those of the most famous dictator in the country’s history – General Maximiliano Hernandez – and then applied, ironically, to the local phenomena of the Salvadoran Street Gangs (MS-13 and 18s) and their desired extermination. It is also done through the re-interpreting of folk metal in the local phenomenon of tribal metal that reinterprets the indigenous through the lens of modern society and heavy metal’s ideas of power. Finally, the Salvadoran metalhead adapts the genre’s vulgarity and dark humor to fuel their own systems of dealing with harsh repression and existing within a society that seems to have no place for them. At the bottom though, much more than a community, Heavy Metal in El Salvador is a source of fraternalismo that utilizes the Philosophy of Life to bind its members together and to provide them a means by which to express their personal freedoms within a society that would happily see them limited. |
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | Johns Hopkins University | Place of Publication | Ann Arbor | Editor | |
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| ISSN | ISBN | 978-1-392-06770-3 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2204 | ||
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