| Records |
| Author |
Barajas, Jhon Edison |
| Title |
Historia del power metal colombiano: un documental para la creación de un panorama histórico e identitario del power metal |
Type |
Book Chapter |
| Year |
2021 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
Power Metal; Colombia; Identity; Music history |
| Abstract |
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Thesis |
Bachelor's thesis |
| Publisher |
Corporación Universitaria Minuto de Dios |
Place of Publication |
Bogotá |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2273 |
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| Author |
Beccasino, Ángel |
| Title |
M-19, el heavy metal latinoamericano |
Type |
Book Whole |
| Year |
1989 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
Latinamerica; Music History |
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Thesis |
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| Publisher |
Fondo Editorial Santodomingo |
Place of Publication |
Bogotá |
Editor |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2588 |
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| Author |
Carew, Francis |
| Title |
The Guitar Voice of Randy Rhoads |
Type |
Book Whole |
| Year |
2018 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
186 |
| Keywords |
Communication and the arts; Classical guitar; Guitar voice; Heavy metal; Music history; Musonia music; Osbourne, Ozzy; Rhoads, Randy |
| Abstract |
Randy Rhoads was an influential rock guitarist whose synthesis of musical influences had an impact on heavy metal. He developed a classically influenced guitar style that inspired new developments in the guitar’s virtuosic technique and harmonic and melodic language. The sound of heavy metal can be traced directly to his guitar style. Yet no definitive studies have been conducted on his guitar voice, synthesis of musical influences, or contribution to heavy metal music. This thesis is the first study to define the musical influences that make up Rhoads’s innovative guitar voice and playing style. It examines his early childhood, formal training, and influences, honing his skills in Quiet Riot, mastering his skills on Blizzard of Ozz , and mastering his skills on Diary of a Madman . It provides a look at his guitar voice through his adaptation, synthesis, and implementation of musical influences by conducting a detailed musical analysis of the formal, harmonic, rhythmic, and melodic aspects of the songs on Blizzard of Ozz and Diary of a Madman.
The examination of his guitar voice and playing style is provided by the following materials: CDs, DVDs, books, scholarly journals, master’s theses and doctoral dissertations, and transcriptions of songs on Blizzard of Ozz and Diary of a Madman. The aim of this thesis is to demonstrate that Rhoads’s guitar voice and playing style are classically influenced and a synthesis of different musical styles. It advocates that his playing style pushed the hard rock music envelope create a new approach to guitar playing that led to a more refined version of the music. It suggests that Rhoads’s musical approach and mindset in the 1980s: classical-style virtuosity, harmony and melody, and acoustic guitar was important to the development of the heavy metal sound, therefore placing him in the historical annals of popular music. |
| Address |
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Thesis |
Master's thesis |
| Publisher |
Wayne State University |
Place of Publication |
Ann Arbor |
Editor |
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| Language |
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Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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Series Issue |
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Edition |
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ISBN |
978-0-438-01846-4 |
Medium |
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| Notes |
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Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2207 |
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| Author |
Herrera Díaz, Francisco Augusto |
| Title |
Metal colombiano: los sonidos de un país en guerra |
Type |
Book Whole |
| Year |
2017 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
Colombia; Music History; War; Semiotics |
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Thesis |
Bachelor's thesis |
| Publisher |
Pontificia Universidad Javeriana |
Place of Publication |
Bogotá |
Editor |
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Summary Language |
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Original Title |
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Edition |
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ISBN |
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Medium |
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Expedition |
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Conference |
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| Notes |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2472 |
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| Author |
Montanero Vico, Luis |
| Title |
The New Wave of British Heavy Metal. Desarrollo, expansión y muerte de un movimiento juvenil |
Type |
Journal Article |
| Year |
2005 |
Publication |
Ex Novo. Revista d'Historia i Humanitats |
Abbreviated Journal |
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| Volume |
2 |
Issue |
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Pages |
123-139 |
| Keywords |
NWOBHM; Music History; Sociology; Spain |
| Abstract |
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Place of Publication |
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Editor |
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Original Title |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2494 |
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| Author |
Montesinos, Omar |
| Title |
Cuero y metal: Memorias del underground paceño |
Type |
Book Chapter |
| Year |
2022 |
Publication |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
57-74 |
| Keywords |
Music History; Bolivia; La Paz; Underground |
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Thesis |
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| Publisher |
Ediciones Jichha |
Place of Publication |
La Paz |
Editor |
Tapia, Reynaldo; Mendoza, Boris |
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Summary Language |
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Original Title |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2484 |
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| Author |
Muniesa, Mariano |
| Title |
HEAVY METAL. UNA GUERRA QUE NO GANAREMOS SOLOS |
Type |
Journal Article |
| Year |
2022 |
Publication |
Metal de Habla Hispana |
Abbreviated Journal |
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| Volume |
1 |
Issue |
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Pages |
23-29 |
| Keywords |
Music History |
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Place of Publication |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2499 |
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| Author |
Pomacosi, Yelitza |
| Title |
Entre música y política: El rock de la Nueva Ola en La Paz |
Type |
Book Whole |
| Year |
2024 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
Bolivia; Music history; Politics; Nueva Ola (New wave) |
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Thesis |
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| Publisher |
La Paz |
Place of Publication |
Rincón Ediciones |
Editor |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2685 |
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| Author |
Pomacosi, Yelitza |
| Title |
Rock indigenista: Rock de los Andes, nacimiento |
Type |
Book Chapter |
| Year |
2024 |
Publication |
Indigenismo, Fusión y Folk Metal en Bolivia |
Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
9-28 |
| Keywords |
Indigenism; Bolivia; Music History |
| Abstract |
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Thesis |
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| Publisher |
Special Issue of Perspectivas y Resistencias Musicales 2 (1) |
Place of Publication |
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Editor |
Tapia, Reynaldo |
| Language |
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Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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Series Issue |
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Edition |
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ISBN |
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Medium |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2667 |
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| Author |
Romero Kuljis, Regina María |
| Title |
Influencias -Tranculturalidad e Identidades de las bandas underground de la ciudad de La Paz en la época de los 90 |
Type |
Journal Article |
| Year |
2023 |
Publication |
Perspectivas y Resistencias Musicales |
Abbreviated Journal |
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| Volume |
1 |
Issue |
1 |
Pages |
81-118 |
| Keywords |
Bolivia; Scene; La Paz; Music history |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Monographic issue of Perspectivas y Resistencias Musicales |
Place of Publication |
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Editor |
Tapia, Reynaldo |
| Language |
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Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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ISBN |
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Medium |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2680 |
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