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| Author | Samlhofer, Andreas | ||||
| Title | Grindcore – eine ›extreme‹ Mutation des Metals? Zur Diskursivierung des Grindcore | Type | Book Chapter | ||
Year  |
2011 | Publication | ”Metal matters”. Heavy Metal als Kultur und Welt | Abbreviated Journal | |
| Volume | Issue | Pages | 207-224 | ||
| Keywords | Extreme Metal; Subgenre; Grindcore | ||||
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| Publisher | Lit | Place of Publication | Münster | Editor | Nohr, Rolf F.; Schwaab, Herbert |
| Language | ger | Summary Language | Original Title | ||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-3-643-11086-2 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ nohr_grindcore_2011 | Serial | 226 | ||
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| Author | Hassemer, Simon Maria | ||||
| Title | Metal-Alter. Zur Rezeption der Vormoderne in Subgenres des Heavy Metals | Type | Book Chapter | ||
| Year |
2011 | Publication | ”Metal matters”. Heavy Metal als Kultur und Welt | Abbreviated Journal | |
| Volume | Issue | Pages | 247-261 | ||
| Keywords | Reception; Subgenre; Neomedievalism | ||||
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| Publisher | Lit | Place of Publication | Münster | Editor | Nohr, Rolf F.; Schwaab, Herbert |
| Language | ger | Summary Language | Original Title | ||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-3-643-11086-2 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ nohr_metal-alter_2011 | Serial | 228 | ||
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| Author | Leichsenring, Jan | ||||
| Title | ”Wir fordern das Unmögliche”. Zur Formulierung und Funktion antimoderner Topoi in einigen Metal-Subgenres | Type | Book Chapter | ||
| Year |
2011 | Publication | ”Metal matters”. Heavy Metal als Kultur und Welt | Abbreviated Journal | |
| Volume | Issue | Pages | 291-306 | ||
| Keywords | Motifs; Subgenre | ||||
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| Publisher | Lit | Place of Publication | Münster | Editor | Sascha, Rolf F.; Schwaab, Herbert |
| Language | ger | Summary Language | Original Title | ||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-3-643-11086-2 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ sascha_wir_2011 | Serial | 231 | ||
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| Author | Tsatsishvili, Valeri | ||||
| Title | Automatic Subgenre Classification of Heavy Metal Music | Type | Book Whole | ||
| Year |
2011 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 65 | ||
| Keywords | Automatic genre classification; classifications; genre; heavy metal; heavy rock; music; subgenre | ||||
| Abstract | Automatic genre classification of music has been of interest for researchers over a decade. Many success-ful methods and machine learning algorithms have been developed achieving reasonably good results. This thesis explores automatic sub-genre classification problem of one of the most popular meta-genres, heavy metal. To the best of my knowledge this is the first attempt to study the issue. Besides attempting automatic classification, the thesis investigates sub-genre taxonomy of heavy metal music, highlighting the historical origins and the most prominent musical features of its sub-genres. For classification, an algorithm proposed in (Barbedo & Lopes, 2007) was modified and implemented in MATLAB. The obtained results were compared to other commonly used classifiers such as AdaBoost and K-nearest neighbours. For each classifier two sets of features were employed selected using two strategies: Correlation based feature selection and Wrapper selection. A dataset consisting of 210 tracks representing seven genres was used for testing the classification algorithms. Implemented algorithm classified 37.1% of test samples correctly, which is significantly better performance than random classification (14.3%). However, it was not the best achieved result among the classifiers tested. The best result with correct classification rate of 45.7% was achieved by AdaBoost algorithm. (Source: https://jyx.jyu.fi/handle/123456789/37227#) |
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| Corporate Author | Thesis | Master's thesis | |||
| Publisher | University of Jyväskylä | Place of Publication | Jyväskylä, Finland | Editor | |
| Language | English | Summary Language | English | Original Title | |
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| Notes | Programme in Music, Mind and Technology | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2606 | ||
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| Author | Hill, Rosemary Lucy | ||||
| Title | Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community | Type | Journal Article | ||
| Year |
2011 | Publication | Journal for Cultural Research | Abbreviated Journal | |
| Volume | 15 | Issue | 3 | Pages | 297-313 |
| Keywords | Subgenre; Emo | ||||
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| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | 1479-7585 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ hill_is_2011 | Serial | 936 | ||
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| Author | Prozak, Spinoza Ray | ||||
| Title | Heavy Metal FAQ: Introduction to Metal Music and Culture | Type | Journal Article | ||
| Year |
2012 | Publication | Dark Legions Archive: Black metal, death metal, grindcore, thrash and heavy metal reviews from the net's original heavy metal site | Abbreviated Journal | |
| Volume | Issue | Pages | 1-91 | ||
| Keywords | live performances; metal community; metal culture; metal ideology; metal music history; metal philosophy; social impact of heavy metal; subgenres | ||||
| Abstract | << Introduction: This periodically posted article introduces heavy metal music and the heavy metal genre, including the sub-genres of speed metal, death metal, black metal, thrash, doom metal, grindcore, and ambient metal. Summary: This FAQ explores the development of heavy metal as a musical movement through its place in a larger culture, and re ects upon the ideological and sociological circumstances that motivated that development. These circumstances are tracked through music theory, symbolism, and behavior. It also explores the subculture of heavy metal music and its members, known as “Hessians,” who listen to the music and attempt to live by the values expressed in the music. It includes but is not limited to a history of metal music, the philosophy of heavy metal, the styles and sub-genres of heavy metal, etiquette in the heavy metal groups, where to nd heavy metal t-shirts and CDs, and the cultural values of the Hessian subculture. Authorship: The Heavy Metal FAQ was written by metal radio presenter and writer S.R. Prozak for the Dark Legions Archive at www.anus.com/metal and features contributions from USENET metal experts 1993-1999. Archive: The current ASCII text copy of this article may be found online at http://www.anus.com/metal/about/faq >> SOURCE: PDF of article |
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| Publisher | Dark Legions Archive | Place of Publication | Editor | ||
| Language | English | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | PDF; HTML | ||
| Area | Expedition | Conference | |||
| Notes | Staff members of the Amerikan Nihilist Underground Society and the Hessian Studies Center also contributed to this article. | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2948 | ||
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| Author | Lukes, Daniel | ||||
| Title | Black metal machine: theorizing industrial black metal | Type | Journal Article | ||
| Year |
2013 | Publication | Helvete: A Journal of Black Metal Theory | Abbreviated Journal | |
| Volume | 1 | Issue | Pages | 69-94 | |
| Keywords | Black Metal; Subgenre; Theory; Industrial | ||||
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| Language | en | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ lukes_black_2013 | Serial | 415 | ||
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| Author | Trafford, Simon | ||||
| Title | Blood, fire,, death: Bathory and the birth of viking metal | Type | Book Chapter | ||
| Year |
2013 | Publication | Gathering of the tribe: music and heavy conscious creation | Abbreviated Journal | |
| Volume | Issue | Pages | 302-308 | ||
| Keywords | Subgenre; Viking metal; Bathory | ||||
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| Publisher | Headpress | Place of Publication | London | Editor | Goodall, Mark |
| Language | en | Summary Language | Original Title | ||
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| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ trafford_blood_2013 | Serial | 141 | ||
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| Author | Smialek, Eric T. | ||||
| Title | Genre and Expression in Extreme Metal Music, Ca. 1990-2015 | Type | Book Whole | ||
| Year |
2016 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 346 | ||
| Keywords | Aesthetics; Black metal; Death metal; Extreme Metal; History (metal music); Musicians & conductors; Subgenres | ||||
| Abstract | Extreme metal music , a conglomeration of metal subgenres unified by a common interest in transgressive sounds and imagery, is now a global phenomenon with thriving scenes in every inhabited continent. Its individual subgenres represent a range of diverse aesthetics, some with histories spanning over thirty years. Scholarship on extreme metal now boasts a similar diversity as well as its own history spanning nearly two decades. With the rise of metal studies as an emerging field of scholarship, the scholarly literature on extreme metal has increased exponentially within the past seven years supported by annual conferences, the establishment of the International Society for Metal Music Studies (ISMMS), and a specialized journal ( Metal Music Studies). Despite this growth, the field is still characterized by what sociologist Keith Kahn-Harris has called “undoubtedly the most critical weakness in metal studies as it stands: the relative paucity of detailed musicological analyzes on metal” (Kahn-Harris 2011, 252). This blind spot in the literature is so pervasive that Sheila Whiteley began her preface to Andrew Cope's Black Sabbath and the Rise of Heavy Metal Music with the exclamation, “At last! A book about heavy metal as music ” (Cope 2010, xi). As the first book-length musicological study of extreme metal, this dissertation responds to this critical gap by outlining, in previously unattempted detail, a wide range of genre conventions and semiotic codes that form the basis of aesthetic expression in extreme metal. Using an interdisciplinary mixture of literary genre theory, semiotics, music theory and analysis, acoustics, and linguistics, this dissertation presents a broad overview of extreme metal's musical, verbal, and visual-symbolic systems of meaning. Part I: Interconnected Contexts and Paratexts begins with a critical survey of genre taxonomies, showing how their implicit logic masks value judgments and overlooks aspects of genre that are counterintuitive. This leads to an investigation of boundary discourses that reveals how fans define extreme metal negatively according to those subgenres and categories of identity that they treat as abject Others: nu metal, screamo, and deathcore as well as their associations with blackness, femininity, and adolescence . Part I concludes with a thick description of death metal and black metal that shows how its lyrics, album reviews, album artwork, band logos, and font styles collectively provide messages about the semantics of genre, most notably by drawing upon archetypes of the sublime and , in the case of raw black metal, Part II: Analyzing Musical Texts synthesizes large corpus studies of musical recordings with close readings of individual songs. This section begins with a demonstration of how technical death metal bands Cannibal Corpse, Demilich, and Spawn of Possession play with listener expectations towards meter, syntax, and musical complexity to create pleasurable forms of disorientation that reward active and repeated listenings. It proceeds to investigate musical accessibility and formal salience in melodic death metal, showing through examples by In Flames and Soilwork how the notion of melody pervades this musicand contributes to its sense of rhetoric. Part II concludes with a study of musical expression in extreme metal vocals. Using discussions and recordings from a vocalist participant, a corpus study of eighty-five songs that begin with wordless screams, and close readings of excerpts by Morbid Angel, Zimmers Hole, and At the Gates, I demonstrate that the acoustical features of vowel formants are central to vocal expression in extreme metal, enabling vocalists to mimic large beasts in a way that fans find convincing and powerful. |
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| Address | |||||
| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | McGill University | Place of Publication | Montreal | Editor | |
| Language | en | Summary Language | Original Title | ||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 9798597046549 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ smialek_genre_2016 | Serial | 689 | ||
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| Author | Ribeiro, Hugo | ||||
| Title | Heavy, Death and Doom Metal in Brazil: A Study on the Creation and Maintenance of Stylistic Boundaries within Metal Bands | Type | Book Chapter | ||
| Year |
2016 | Publication | Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches | Abbreviated Journal | |
| Volume | Issue | Pages | 227-244 | ||
| Keywords | Gender; Doom metal; Death metal; Non-Western scenes; Brazil; Subgenres | ||||
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| Publisher | Routledge | Place of Publication | New York & London | Editor | Heesch, Florian; Scott, Niall |
| Language | en | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-1-317-12298-2 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ heesch_heavy_2016-2 | Serial | 666 | ||
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